Traum TV is for the late nights. It’s there when you are tired of surfing and just want to sit back. It celebrates late night nonstop video watching.

Thanks Mitch.

After several weeks of preparation with Harsh and 9 straight days of intense/hard work by our students at CalArts (and our Teachers Assistant Diego), we are finished with Practicum! For our Practicum (Textfield Workshop), we had the students make their own book/mag/zine. In order to make a magazine in such a short period, Harsh and I selected 2 formats for them to work with, developed a Content Library and a limited Type Library. Students paired themselves into groups of 2 — each group was responsible for selecting a topic and compiling, editing and laying out their own 16-page Signature (112 pages total). We couldn’t have been more excited with the results.

Special thanks goes to our Teachers Assistant Diego Padilla, who went above and beyond to make sure the students kept on top of their work and contributed so much to the critiques, really outstanding — Also Stacey Hauge Printing in Valencia, who did an amazing job of folding, trimming and binding our Project. Dennis (owner), Bryan and their staff, spent over 3 hours working closely with us and (unexpectedly) did our job Pro Bono — we cannot thank you enough for your time, experience and generosity.

Dennis has 8 adopted German Shepherds — please visit the German Shepherd Rescue website for more information.

Textfield Publication Workshop
24 January — 1 February 2008
Instructors Jonathan Maghen and Harsh Patel

Same guys who did Doogie thing… brings you Lasagna Cat.
thanks Dave.

All Through the Night — Music video for my brother’s band Escort. Edited by Irvin Coffee.

Love you Darius

Jack Goldstein (1945–2003)

“The Jump, 1978, is a silent twenty-six-second loop projected on a fuchsia-colored wall illuminated by black lights. Using editing effects, Goldstein transformed a high diver, jumping into an amorphous deep purple space, into an incorporeal constellation of Technicolor stars. The strenuously exerted body of Goldstein’s early performative films has been completely recast by technology as an image: a burst of graceful, highly regulated, firework like light. The Jump was the last of Goldstein’s early films, and it is a fitting swan song to an era when the body was still considered a viable site of resistance.”

Thanks Kathy

Interesting article in the New York Times — even if you think it’s all rubbish.