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Thursday August 5, 2010 at 7 PM
235 Bowery
New York, NY
The Bidoun Library Project at the New Museum is a highly partial account of five decades of printed matter in, near, about, and around the Middle East. Arrayed along the library’s shelves are pulp fictions and propaganda, monographs and guidebooks, and pamphlets and periodicals, representing the oil boom and the Dubai bust, the Cold War and the hot pant; depicting Pan-Arabs and Black Muslims, revolutionaries and royals, Orientalism and its opposites.
For the opening night Bidoun will present selected readings and video clips from the collection. In addition, for the opening day of the project, Bidoun has invited booksellers usually found outside the New York University library to set up shop outside the New Museum.
Join us afterward for dancing and drinks at:
Sweet and Vicious
5 Spring Street
9pm
Music by Tim DeWitt (Gang Gang Dance)
For information visit bidoun.com or newmuseum.org
Tiffany · 08/02/10
Owen Luder’s Brutalist Trinity Square car park in Gateshead, made famous in the film Get Carter (1971) is undergoing demolition. Owen Hatherly offers his thoughts in The Guardian.
TURNING PINK W/ LEONG LEONG
Opening Reception/
Asian Flush!
Thursday
May 27, 2010
7:30-9:30PM
May 24–June 6, 2010
Open Tuesday,
Wednesday, & Thursday
3PM–8PM
Open Monday & Friday
By appointment:
info@leong-leong.com
W/ ———––
141 Division Street
New York NY 10002
www.withnyc.org
hello@withnyc.org
———————————
Afterparty at BEeast
171 E Broadway
New York, NY 10079
10:30–onwards
Special $7 vodka drinks
———————————
TURNING PINK W/ LEONG LEONG
is sponsored by
3.1 Phillip Lim
Pabst Blue Ribbon
Ice sculpture donated by
Okamoto Studio
Mark Manders, Traducing Ruddle
Newspaper, 16 pp., web offset 1/1, 350 x 480 mm
Insert, 48 pp., offset 1/1, 215 x 280 mm
Edition of 3000
ISBN 978-0-9738133-7-1
Published by Fillip Editions, Roma Publications
Sheets from Manders’ Traducing Ruddle form the central element of the artist’s Window with Fake Newspapers project, a site-specific public work on view through March 28th.
Distributed in North America by Textfield, Inc.
In June 2009, Marc Kremers stumbled across the personals section of Haitianconnection.com and collected several hundred of the brazen images he found there. After the devastion that the earthquake on 12th January 2010 has caused, and the subsequent media coverage of their plight, we at As-found think it’s pertinent to show Haitians according to their own self-image and means. Thanks to Damien Poulain for the title illustration and Julie Rubio for the exhibition title.
Jonathan · 02/09/10
Exhibition poster design by Sandy Yang
Resort, A Station for Display
Arthur Ou and Alice Könitz
November 21, 2009 — January 16, 2010
Reception: Saturday, November 21, 2009, 7-9pm
LAXART
2640 S La Cienega Blvd
Los Angeles CA 90034
Two projects that fit loosely into a larger idea of supporting ideas that work quietly and locally.

I have a few projects from this Porto-based label via trades with my friend Isabel (who produced the work above, from BF10/Wanda II). BdF’s website is pretty clear and concise as to aims and background information, so there’s not much else to say here other than this is one of my favorite imprints.

I met Maki Hakui in NYC at this years Art Book Fair, and her magazine School was the only title I ended up shelling out cash for. I support her mission to avoid discussing the usual aspects and figures of Japanese art culture, and going straight to intimate, direct dialogues with its lesser exposed – but equally interesting – women creatives.

Lewis Baltz
The Park City Portfolio
26 September 2009 — 2 January 2010
Opening Reception: 26 September, 6-9pm
Thirty years ago, in 1979, as he completed his photographs of a ski resort being built in Park City, Utah, Lewis Baltz was in the middle of the middle of his most productive period. Four years earlier he had finished a series on The New Industrial Parks of Southern California, and four years later he would complete his study of San Quentin Point, a dump site where a notorious prison once stood. He thought of the three projects, he said, as a “trilogy”. Where Ansel Adams, Baltz’s most famous predecessor in the photography of Western vistas, had seen the American landscape as pure Romance, Baltz now saw it as a Tragedy, since that is the art form for which the term trilogy is customarily reserved. The photographs of jimcrack “luxury” housing under construction at the foot of ski trails in Park City show us where the tragic flaw lay in the American character.
Textfield · 09/28/09

Got to meet Erik at Motto’s book fair and picked up a copy of Siedlung, published by one of my all-time favorite imprints, Roma.
Van der Weijde’s photographic project documents over 220 houses built in Germany between 1933 and 1945 in order to eventually provide a house for every working-class NSDAP member. In turn this ‘Siedlungpolitiek’ was both a powerful Nazi propaganda tool and a way to provide living space to loyal members. Most of these houses still exist, however unless one knows their full history they retain an unassuming normalcy.
Harsh · 09/11/09
Stewart Brand: “This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno. The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They’re Built. The book is still selling well and is used as a text in some college courses. Most of the 27 reviews on Amazon treat it as a book about system and software design, which tells me that architects are not as alert as computer people. But I knew that; that’s part of why I wrote the book. Anybody is welcome to use anything from this series in any way they like. Please don’t bug me with requests for permission. Hack away. Do credit the BBC, who put considerable time and talent into the project. Historic note: this was one of the first television productions made entirely in digital— shot digital, edited digital. The project wound up with not enough money, so digital was the workaround. The camera was so small that we seldom had to ask permission to shoot; everybody thought we were tourists. No film or sound crew. Everything technical on site was done by editors, writers, directors. That’s why the sound is a little sketchy, but there’s also some direct perception in the filming that is unusual.”
Sebastian · 08/10/09Emily Mast and Evan Mast, 25 July –
“My brother Evan and i collaborated on an ephemeral piece for Exhibition in New York this past Monday. We filled the space with smoke and light in the middle of the night.”
to challenge traditional notions of artistic and curatorial authorship by setting up a “different”
type of experience for artists and viewers alike. How does it work? EXHIBITION is not set
up as a series of programmed exhibits but functions as a continuous spatial and temporal
unit over a period of 6 months. Invited artists are asked to engage directly with the concrete
situation of the space as they find it. Structurally, every artistic gesture is determined by a
set of agreed-upon parameters: for instance, interventions occur only in areas randomly
assigned by a throw of dice. It is understood by all participants that their intervention
invariably carries the potential of its own demise. And perhaps even more significant than
the material results generated is the continuous flow of immaterial conversation between
contributors and visitors.
Exhibition was initiated by Elena Bajo, Eric Anglès, Jakob Schillinger, Nathalie Anglès and
Warren Neidich.
EXHIBITION
211 Elizabeth Street, New York, NY 10013
Wednesday–Sunday, 12-6pm

New book by J.K Birksted on MIT Press.
Perfect beach reading. From the catalogue:
“Through exhaustive research that challenges long-held beliefs, J. K. Birksted’s Le Corbusier and the Occult traces the structure of Le Corbusier’s brand of modernist spatial and architectural ideas based on startling new documents in hitherto undiscovered family and local archives. Le Corbusier and the Occult thus answers the conundrum set by Reyner Banham (Birksted’s predecessor at the Bartlett School of Architecture) who, fifty years ago, wrote that Le Corbusier’s book Towards a New Architecture “was to prove to be one of the most influential, widely read and least understood of all the architectural writings of the twentieth century.”
Mark · 07/11/09 
by Elisabeth Rosenthal
Vauban, Germany — Residents of this upscale community are suburban pioneers, going where few soccer moms or commuting executives have ever gone before: they have given up their cars.
Street parking, driveways and home garages are generally forbidden in this experimental new district on the outskirts of Freiburg, near the Swiss border. Vauban’s streets are completely “car-free” — except the main thoroughfare, where the tram to downtown Freiburg runs, and a few streets on one edge of the community. Car ownership is allowed, but there are only two places to park — large garages at the edge of the development, where a car-owner buys a space, for $40,000, along with a home.
As a result, 70 percent of Vauban’s families do not own cars, and 57 percent sold a car to move here. “When I had a car I was always tense. I’m much happier this way,” said Heidrun Walter, a media trainer and mother of two, as she walked verdant streets where the swish of bicycles and the chatter of wandering children drown out the occasional distant motor.
Vauban, completed in 2006, is an example of a growing trend in Europe, the United States and elsewhere to separate suburban life from auto use, a movement called “smart planning.”
Automobiles are the linchpin of suburbs, where middle-class families from Chicago to Shanghai tend to make their homes. And that, experts say, is a huge impediment to current efforts to drastically reduce greenhouse gas emissions from tailpipes to reduce global warming. Passenger cars are responsible for 12 percent of greenhouse gas emissions in Europe, a proportion that is growing, according to the European Environment Agency, and up to 50 percent in some car intensive areas in the United States.
While there have been efforts in the past two decades to make cities more dense and better for walking, planners are now taking the concept to the suburbs and focusing specifically on environmental benefits like reducing emissions. Vauban, completed in 2006 and home to 5,500 residents within a rectangular square mile, may be the most advanced experiment in low-car suburban life. But its basic precepts are being adopted around the world in attempts to make suburbs more compact and more accessible to public transportation, with fewer parking spaces. In this new approach, stores are placed a walk away, on a main street, rather than in malls along some distant highway.
“All of our development since World War II has been centered on the car, and that will have to change,” said David Goldberg, an official at Transportation for America, a fast-growing coalition of hundreds of groups in the United States — including environmental groups, mayors’ offices and the American Association of Retired People — who are promoting new communities that are less dependent on cars. Mr. Goldberg added: “How much you drive is as important as whether you have a hybrid,” he said.
Levittown and Scarsdale, New York suburbs with spread-out homes and private garages, were the dream towns of the 1950s and still exert a strong appeal. But some new suburbs may well look more Vauban-like, not only in developed countries but also in the developing world, where emissions from an increasing number of private cars owned by the burgeoning middle class are choking cities.
In the United States, the Environmental Protection Agency is promoting “car reduced” communities, and legislators are starting to act, if cautiously. Many experts expect public transport serving suburbs to play a much larger role in a new six-year federal transportation bill to be approved this year, Mr. Goldberg said. In previous bills, 80 percent of appropriations have by law gone to highways and only 20 percent to other transport.
In California, the Hayward Area Planning Association is developing a Vauban-like community called Quarry Village on the outskirts of Oakland, accessible without a car to the Bay Area Rapid Transit system and to the California State University’s campus in Hayward.
Sherman Lewis, a professor emeritus at Cal State and a leader of the association, says he “can’t wait to move in” and hopes that Quarry Village will allow his family to reduce its car ownership from two to one, and potentially to zero if Quarry Village’s car-sharing club takes off. But the current system is still stacked against the project, he said, noting that mortgage lenders worry about resale value of half-million-dollar homes that have no place for cars, and most zoning laws in the United States still require requiring two parking spaces per residential unit. Quarry Village has obtained an exception from Hayward.
And convincing people to give up their cars is often an uphill run. “People in the U.S. are incredibly suspicious of any idea where people are not going to own cars, or are going to own fewer,” said David Ceaser, co-founder of CarFree City USA, who said no car-free suburban project the size of Vauban had been successful in the United States.
In Europe — which planners agree is further along than America — some governments are thinking on national scale. From 2000 to 2005, Great Britain undertook a comprehensive effort to reform national planning, which was intended to discourage car use by requiring that new development be accessible by public transit.
“Development comprising jobs, shopping, leisure and services should not be designed and located on the assumption that the car will represent the only realistic means of access for the vast majority of people,” said PPG 13, the British government’s revolutionary 2001 planning document. Dozens of shopping malls, fast-food restaurants and housing compounds have been refused planning permits based on the new regulations.
“You’re basically not allowed to build shopping malls in the middle of nowhere anymore,” said Roger L. Mackett, a professor at the Center for Transport Studies, University College, London. While British planning regulations once stipulated the minimum number of parking spaces in new residential compounds, now there is a maximum allowed. That creates big changes.
Life in a car-reduced place like Vauban has it own unusual gestalt in the country that is home to Mercedes-Benz and the autobahn. It is long and relatively narrow, so that the tram into Freiburg is an easy walk from every home. Stores, restaurants, banks and schools are more interspersed among homes than they are in a typical suburb. Most residents, like Ms. Walter, have carts they haul behind bicycles for shopping trips or children’s play dates.
For trips to stores like IKEA or ski slopes, families buy cars together or use communal cars rented out by Vauban’s car-sharing club. Ms. Walter had previously lived — with a private car — in Freiburg as well as the United States.
“If you have one, you tend to use it,” she said. “Some people move in here and move out rather quickly — they miss the car next door.”
But Vauban was in some ways an ideal laboratory for testing the idea of reducing car use. The site of a former Nazi army base, it was occupied by the French Army from the end of World War II until the reunification of Germany in 1989. Because it was planned as a base, the grid was never meant to accommodate private car use: the “roads” were narrow passageways between barracks.
Original buildings have long since been torn town, and the stylish row houses that replaced them are set amid lush yards but are shaped somewhat like barracks — buildings of four or five stories designed to reduce heat loss and maximize energy efficiency. They are trimmed with exotic woods and have elaborate balconies, lush gardens and metal sculptures, as befits a contemporary high-end suburb. By nature, people who buy in Vauban are inclined to be green guinea pigs — indeed, more than half vote for the German Green Party. Still, many say it is the quality of life in a car-free community that feels like a Club Med for everyday living that keeps them here.
Henk Schulz, a scientist who on one afternoon last month was watching his three young children wander around Vauban, remembers the day he turned 18. “You were so excited about buying your first car,” he said. Now, Mr. Schulz added, he is glad to be raising his children away from cars; he does not worry much about their safety in the street.
In the past few years, Vauban has become a well-known niche community, even if it has spawned few imitators in Germany. But whether the concept will work in California is an open question. More than 100 would-be owners have signed up to buy in the Bay Area’s “car-reduced” Quarry Village, and Mr. Lewis is still looking for about $2 million in seed financing to get the project off the ground.
But if it doesn’t work, his backup proposal is to build a development on the same plot that permits unfettered car use. It is called Village D’Italia.
Jonathan · 05/11/09
Inside Motto Berlin, Skalitzerstrasse 68, Im Hinterhof.
“We are proud to announce the European launch of Fillip 9 in partnership with Konst-ig, Stockholm, and Motto Berlin. As part of these transcontinental events, Fillip staff and board members will discuss recent writing and artist projects that situate the publication within the larger landscape of international art criticism. This will also be an opportunity to expand discussions begun during our recent Judgment and Contemporary Art Criticism series presented this past February in collaboration with Artspeak, Vancouver.”
All are invited to attend and participate in these discussions:
Konst-ig, 7 May 18:00
Asögatan 124, Söder District, Stockholm
with Kristina Lee Podesva, Amy Zion,
and Johan Lundh
Berlin Launch
Motto Berlin, 13 May 18:30
Skalitzerstrasse 68 im Hinterhof, Berlin
with Kristina Lee Podesva, Amy Zion,
Markus Miessen, and Antonia Hirsch
About the current issue
In Fillip 9, Diedrich Diedrichsen provides an in depth discussion of Paul Valéry and pop music, and critic Shepherd Steiner considers the Martha Rosler Library project through the lens of the Boolean search. The issue also features conversations between Lea Feinstein and Christian L. Frock on second wave feminism and last year’s proliferation of feminist art shows, and between Boris Groys and Andro Wekua on art practice and production today and in the former East Europe. In addition, Fillip 9 includes an interview with Steve Lambert of the New York Times Special Edition project among exhibition reviews and other texts.
We are very pleased to present a special audio project for the issue, a yellow vinyl 45 by artists Cranfield and Slade, which is included in each copy of the magazine. The edition is produced in collaboration with the Or Gallery, Vancouver, and in support of the artists’ forthcoming album 12 Sun Songs by the Or Gallery, Christoph Keller Editions, and JRP/Ringier.
Konst-ig is the largest independent art bookseller in Scandinavia specializing in books on art, photography, architecture, design, graphic design, fashion, video, performance, theory, and related journals, magazines, artists’ books, and mulitples.
Motto Berlin presents a wide selection of magazines and independent publications ranging from books to zines. The catalogue consists of titles from many different fields such as art, photography, design, architecture, fashion, and many others.
Fillip
305 Cambie Street
Vancouver, British Columbia
V6E 2N4 Canada
604.781.4417
www.fillip.ca
Fillip is distributed in the United States by Textfield or contact your local bookshop.
“579. My friends at Project Projects have updated their website with a new design and a load of their typically beautiful work. The site uses Wordpress as a backend and uses thumbnails for browsing along with tagging for further navigation. Of particular interest to me is a selection of some of their classes and workshops in the Pedagogy section, including their course Elective Affinities for the RISD Grad Program last fall. More designers should follow their lead, and make teaching a fundamental and featured part of their studio practice.”
via Lined & Unlined
CONTRA MUNDUM I
Sunday, May 3, 2009
7pm
An Other Interior: Spatial Objects
Rupert Deese, artist and former fabricator for Donald Judd, discusses building and living with the furniture of Judd, Gerrit Rietveld, Josef Albers, and Gerald Summers.
The talk will be followed by a DJ set of related music.
2692 S La Cienega Blvd
Los Angeles, CA 90034
(between Venice Blvd and Washington Blvd)
But in the considered opinion of the neurologist Oliver Sacks, Dyson’s friend and fellow English expatriate, this is far from the case. “His mind is still so open and flexible,” Sacks says. Which makes Dyson something far more formidable than just the latest peevish right-wing climate-change denier. Dyson is a scientist whose intelligence is revered by other scientists — William Press, former deputy director of the Los Alamos National Laboratory and now a professor of computer science at the University of Texas, calls him “infinitely smart.” Dyson — a mathematics prodigy who came to this country at 23 and right away contributed seminal work to physics by unifying quantum and electrodynamic theory — not only did path-breaking science of his own; he also witnessed the development of modern physics, thinking alongside most of the luminous figures of the age, including Einstein, Richard Feynman, Niels Bohr, Enrico Fermi, Hans Bethe, Edward Teller, J. Robert Oppenheimer and Edward Witten, the “high priest of string theory” whose office at the institute is just across the hall from Dyson’s. Yet instead of hewing to that fundamental field, Dyson chose to pursue broader and more unusual pursuits than most physicists — and has lived a more original life.
Among Dyson’s gifts is interpretive clarity, a penetrating ability to grasp the method and significance of what many kinds of scientists do. His thoughts about how science works appear in a series of lucid, elegant books for nonspecialists that have made him a trusted arbiter of ideas ranging far beyond physics. Dyson has written more than a dozen books, including “Origins of Life” (1999), which synthesizes recent discoveries by biologists and geologists into an evaluation of the double-origin hypothesis, the possibility that life began twice; “Disturbing the Universe” (1979) tries among other things to reconcile science and humanity. “Weapons and Hope” (1984) is his meditation on the meaning and danger of nuclear weapons that won a National Book Critics Circle Award. Dyson’s books display such masterly control of complex matters that smart young people read him and want to be scientists; older citizens finish his books and feel smart.
Yet even while probing and sifting, Dyson is always whimsically gazing into the beyond. As a boy he sketched plans for English rocket ships that could explore the stars, and then, in midlife, he helped design an American spacecraft to be powered by exploding atomic bombs — a secret Air Force project known as Orion. Dyson remains an armchair astronaut who speculates with glee about the coming of cheap space travel, when families can leave an overcrowded earth to homestead on asteroids and comets, swooping around the universe via solar sail craft. Dyson is convinced that our current “age of computers” will soon give way to “the age of domesticated biotechnology.” Bio-tech, he writes in his book, “Infinite in All Directions” (1988), “offers us the chance to imitate nature’s speed and flexibility,” and he imagines the furniture and art that people will “grow” for themselves, the pet dinosaurs they will “grow” for their children, along with an idiosyncratic menagerie of genetically engineered cousins of the carbon-eating tree: termites to consume derelict automobiles, a potato capable of flourishing on the dry red surfaces of Mars, a collision-avoiding car.
These ideas attract derision similar to Dyson’s essays on climate change, but he is an undeterred octogenarian futurist. “I don’t think of myself predicting things,” he says. “I’m expressing possibilities. Things that could happen. To a large extent it’s a question of how badly people want them to. The purpose of thinking about the future is not to predict it but to raise people’s hopes.” Formed in a heretical and broad-thinking tradition of British public intellectuals, Dyson left behind a brooding England still stricken by two bloody world wars to become an optimistic American immigrant with tremendous faith in the creative imagination’s ability to invent technologies that would overcome any predicament. And according to the physicist and former Caltech president Marvin Goldberger, Dyson is himself the living embodiment of that kind of ingenuity. “You point Freeman at a problem and he’ll solve it,” Goldberger says. “He’s extraordinarily powerful.” Dyson seems to see the world as an interdisciplinary set of problems out there for him to evaluate. Climate change is the big scientific issue of our time, so naturally he finds it irresistible. But to Dyson this is really only one more charged conundrum attracting his interest just as nuclear weapons and rural poverty have. That is to say, he is a great problem-solver who is not convinced that climate change is a great problem.
Dyson is well aware that “most consider me wrong about global warming.” That educated Americans tend to agree with the conclusion about global warming reached earlier this month at the International Scientific Conference on Climate Change in Copenhagen (“inaction is inexcusable”) only increases Dyson’s resistance. Dyson may be an Obama-loving, Bush-loathing liberal who has spent his life opposing American wars and fighting for the protection of natural resources, but he brooks no ideology and has a withering aversion to scientific consensus. The Nobel physics laureate Steven Weinberg admires Dyson’s physics — he says he thinks the Nobel committee fleeced him by not awarding his work on quantum electrodynamics with the prize — but Weinberg parts ways with his sensibility: “I have the sense that when consensus is forming like ice hardening on a lake, Dyson will do his best to chip at the ice.”
Dyson says he doesn’t want his legacy to be defined by climate change, but his dissension from the orthodoxy of global warming is significant because of his stature and his devotion to the integrity of science. Dyson has said he believes that the truths of science are so profoundly concealed that the only thing we can really be sure of is that much of what we expect to happen won’t come to pass. In “Infinite in All Directions,” he writes that nature’s laws “make the universe as interesting as possible.” This also happens to be a fine description of Dyson’s own relationship to science. In the words of Avishai Margalit, a philosopher at the Institute for Advanced Study, “He’s a consistent reminder of another possibility.” When Dyson joins the public conversation about climate change by expressing concern about the “enormous gaps in our knowledge, the sparseness of our observations and the superficiality of our theories,” these reservations come from a place of experience. Whatever else he is, Dyson is the good scientist; he asks the hard questions. He could also be a lonely prophet. Or, as he acknowledges, he could be dead wrong.
IT WAS FOUR YEARS AGO that Dyson began publicly stating his doubts about climate change. Speaking at the Frederick S. Pardee Center for the Study of the Longer-Range Future at Boston University, Dyson announced that “all the fuss about global warming is grossly exaggerated.” Since then he has only heated up his misgivings, declaring in a 2007 interview with Salon.com that “the fact that the climate is getting warmer doesn’t scare me at all” and writing in an essay for The New York Review of Books, the left-leaning publication that is to gravitas what the Beagle was to Darwin, that climate change has become an “obsession” — the primary article of faith for “a worldwide secular religion” known as environmentalism. Among those he considers true believers, Dyson has been particularly dismissive of Al Gore, whom Dyson calls climate change’s “chief propagandist,” and James Hansen, the head of the NASA Goddard Institute for Space Studies in New York and an adviser to Gore’s film, “An Inconvenient Truth.” Dyson accuses them of relying too heavily on computer-generated climate models that foresee a Grand Guignol of imminent world devastation as icecaps melt, oceans rise and storms and plagues sweep the earth, and he blames the pair’s “lousy science” for “distracting public attention” from “more serious and more immediate dangers to the planet.”
A particularly distressed member of that public was Dyson’s own wife, Imme, who, after seeing the film in a local theater with Dyson when it was released in 2006, looked at her husband out on the sidewalk and, with visions of drowning polar bears still in her eyes, reproached him: “Everything you told me is wrong!” she cried.
“The polar bears will be fine,” he assured her.
Not long ago Dyson sat in his institute office, a chamber so neat it reminds Dyson’s friend, the writer John McPhee, of a Japanese living room. On shelves beside Dyson were books about stellar evolution, viruses, thermodynamics and terrorism. “The climate-studies people who work with models always tend to overestimate their models,” Dyson was saying. “They come to believe models are real and forget they are only models.” Dyson speaks in calm, clear tones that carry simultaneous evidence of his English childhood, the move to the United States after completing his university studies at Cambridge and more than 50 years of marriage to the German-born Imme, but his opinions can be barbed, especially when a conversation turns to climate change. Climate models, he says, take into account atmospheric motion and water levels but have no feeling for the chemistry and biology of sky, soil and trees. “The biologists have essentially been pushed aside,” he continues. “Al Gore’s just an opportunist. The person who is really responsible for this overestimate of global warming is Jim Hansen. He consistently exaggerates all the dangers.”
Dyson agrees with the prevailing view that there are rapidly rising carbon-dioxide levels in the atmosphere caused by human activity. To the planet, he suggests, the rising carbon may well be a MacGuffin, a striking yet ultimately benign occurrence in what Dyson says is still “a relatively cool period in the earth’s history.” The warming, he says, is not global but local, “making cold places warmer rather than making hot places hotter.” Far from expecting any drastic harmful consequences from these increased temperatures, he says the carbon may well be salubrious — a sign that “the climate is actually improving rather than getting worse,” because carbon acts as an ideal fertilizer promoting forest growth and crop yields. “Most of the evolution of life occurred on a planet substantially warmer than it is now,” he contends, “and substantially richer in carbon dioxide.” Dyson calls ocean acidification, which many scientists say is destroying the saltwater food chain, a genuine but probably exaggerated problem. Sea levels, he says, are rising steadily, but why this is and what dangers it might portend “cannot be predicted until we know much more about its causes.”
For Hansen, the dark agent of the looming environmental apocalypse is carbon dioxide contained in coal smoke. Coal, he has written, “is the single greatest threat to civilization and all life on our planet.” Hansen has referred to railroad cars transporting coal as “death trains.” Dyson, on the other hand, told me in conversations and e-mail messages that “Jim Hansen’s crusade against coal overstates the harm carbon dioxide can do.” Dyson well remembers the lethal black London coal fog of his youth when, after a day of visiting the city, he would return to his hometown of Winchester with his white shirt collar turned black. Coal, Dyson says, contains “real pollutants” like soot, sulphur and nitrogen oxides, “really nasty stuff that makes people sick and looks ugly.” These are “rightly considered a moral evil,” he says, but they “can be reduced to low levels by scrubbers at an affordable cost.” He says Hansen “exploits” the toxic elements of burning coal as a way of condemning the carbon dioxide it releases, “which cannot be reduced at an affordable cost, but does not do any substantial harm.”
Science is not a matter of opinion; it is a question of data. Climate change is an issue for which Dyson is asking for more evidence, and leading climate scientists are replying by saying if we wait for sufficient proof to satisfy you, it may be too late. That is the position of a more moderate expert on climate change, William Chameides, dean of the Nicholas School of the Environment and Earth Sciences at Duke University, who says, “I don’t think it’s time to panic,” but contends that, because of global warming, “more sea-level rise is inevitable and will displace millions; melting high-altitude glaciers will threaten the food supplies for perhaps a billion or more; and ocean acidification could undermine the food supply of another billion or so.” Dyson strongly disagrees with each of these points, and there follows, as you move back and forth between the two positions, claims and counterclaims, a dense thicket of mitigating scientific indicators that all have the timbre of truth and the ring of potential plausibility. One of Dyson’s more significant surmises is that a warming climate could be forestalling a new ice age. Is he wrong? No one can say for sure. Beyond the specific points of factual dispute, Dyson has said that it all boils down to “a deeper disagreement about values” between those who think “nature knows best” and that “any gross human disruption of the natural environment is evil,” and “humanists,” like himself, who contend that protecting the existing biosphere is not as important as fighting more repugnant evils like war, poverty and unemployment.
Embedded in all of Dyson’s strong opinions about public policy is a dual spirit of social activism and uneasiness about class dating all the way back to Winchester, where he was raised in the 1920s and ’30s by his father, George Dyson, the son of a Yorkshire blacksmith. George was the music instructor at Winchester College, an old and prestigious secondary school, and a composer. Dyson’s mother, Mildred Atkey, came from a more prosperous Wimbledon family that had its own tennis court. Together they raised Dyson and his sister, Alice, in what Dyson calls a “watered-down Church of England Christianity” that regarded religion as a guide to living rather than any system of belief. The emphasis on tolerance, charity and community — and the free time afforded by the luxury of four servants — led Mildred to organize a club for teenage girls and a birth-control clinic. These institutions meshed uneasily with her patrician Victorian sensibilities. The girls were never, Dyson says, “considered equals,” and Mildred told him with amusement about the young mother who walked in carrying a red-headed infant. “What a beautiful baby,” Mildred reported saying. “Does he take after his father?”
“Oh, I couldn’t tell you, Mum,” came the reply. “He kept his hat on.”
Winchester is a medieval town in which, Dyson writes, he felt that everyone was looking backward, mourning all the young men lost to one world war while silently anticipating his own generation’s impending demise. He renounced the nostalgia, the servants, the hard-line social castes. But what he liked about growing up in England was the landscape. The country’s successful alteration of wilderness and swamp had created a completely new green ecology, allowing plants, animals and humans to thrive in “a community of species.” Dyson has always been strongly opposed to the idea that there is any such thing as an optimal ecosystem — “life is always changing” — and he abhors the notion that men and women are something apart from nature, that “we must apologize for being human.” Humans, he says, have a duty to restructure nature for their survival.
All this may explain why the same man could write “we live on a shrinking and vulnerable planet which our lack of foresight is rapidly turning into a slum” and yet gently chide the sort of Americans who march against coal in Washington. Dyson has great affection for coal and for one big reason: It is so inexpensive that most of the world can afford it. “There’s a lot of truth to the statement Greens are people who never had to worry about their grocery bills,” he says. (“Many of these people are my friends,” he will also tell you.) To Dyson, “the move of the populations of China and India from poverty to middle-class prosperity should be the great historic achievement of the century. Without coal it cannot happen.” That said, Dyson sees coal as the interim kindling of progress. In “roughly 50 years,” he predicts, solar energy will become cheap and abundant, and “there are many good reasons for preferring it to coal.”
THE WORDS COLLEAGUES COMMONLY use to describe Dyson include “unassuming” and “modest,” and he seems the very embodiment of Newton’s belief that a man should strive for simplicity and avoid confusion in life. Dyson has been in residence at the institute since 1953, a time when Albert Einstein shared his habit of walking to work there, which Dyson still does seven days a week, to write on a computer and solve any problems that come across his desk with paper and pencil. (In his prime, legend held that he never used the eraser.) He and Imme have spent 51 happy years together in the same house, a white clapboard just over the garden fence from the stucco affair once inhabited by their former neighbors, the Oppenheimers. On some Sundays the Dysons pile into a car still decorated with an Obama bumper sticker and drive to running races, at which Dyson can be found at the finish line loudly cheering for the 72-year-old Imme, a master’s marathon champion. On many other weekends, they visit some of their 16 grandchildren. During the holiday season the Dysons routinely attend five parties a week, cocktail-soiree sprints at which guests tend to find him open-minded and shy: when friends’ wives give him a hug, he blushes. One of Dyson’s daughters, the Internet vizier Esther Dyson, says her father raised her without a television so she would read more, and has always been “just as interested in talking to” the latest graduate student to make the pilgrimage to Princeton “as he is the famous person at the next table.” Oliver Sacks says that Dyson has “a genius for friendship.”
My friend Andrew got a digital camera, check out his flicks of Los Angeles from his cycle, etc…
Jonathan · 03/24/09 
by Rebecca Cole
Reporting from Washington — This year, the vegetables served at the White House will be as locally grown as possible — some right on the South Lawn.
After a campaign by gardeners and sustainable food activists, the first family has decided to dig up part of the White House grounds for a vegetable garden. In a ceremony today, First Lady Michelle Obama and local elementary students will break ground for the project.
It is part of the first lady’s promotion of healthful food for her daughters, Malia and Sasha, as well as for the nation. But like many parents, the Obamas have had mixed results: Michelle Obama recently said a version of “creamless” creamed spinach by White House executive chef Cristeta Comerford still was a bit too “green” for the kids.
More than 100,000 people have lobbied the president online to plant a garden on the White House lawn, according to Kitchen Gardeners International, a coalition of gardeners whose mission is to inspire and teach people to grow their own food. The group’s Eat the View campaign to plant “high-impact gardens in high-profile places” urged the first family to start an edible garden within the first 100 days of the Obama administration.
Launched in February 2008 and spearheaded by Roger Doiron, a gardener in Scarborough, Maine, the movement hoped to have the president’s family set the right example in terms of healthful eating — “gardening for the greater good,” as Doiron said.
“It begins at home,” Doiron said. “That’s where we start. And if we get a number of people together carrying out these small actions, it will speak volumes and add up.”
Since the early 1990s, food-activist pioneers such as Berkeley restaurateur Alice Waters and author Michael Pollan have lobbied for an “edible landscape” across the 16 acres of White House grounds.
Though the Clintons did have a small rooftop garden that grew vegetables and herbs and Laura Bush made sure organic foods were served in the residence, this is the first full-scale planting on the lawn in more than 60 years — since Eleanor Roosevelt had a victory garden during World War II.
“I’m just so gratified that this idea that seemed as right as rain from the beginning” has finally taken hold, said Waters, owner of the renowned Chez Panisse.
“Food is precious. It comes from the land,” she added. “And we have to take care of the land in order to nourish ourselves. It’s very hard to talk about food without talking about the garden.”
From a chilly corner of Maine, Doiron’s small plot of land yielded $2,100 worth of produce from 35 different crops last year. The message, he said, is that even in these difficult economic times, when families are struggling financially and psychologically, there are creative ways to put healthful food on the table.
“Even if families can start with something small this season, they’re going to come away feeling empowered,” Doiron said. “There are things that we can do, even though we feel like we are up against incredible odds.”
Waters said she was especially pleased that at the White House garden’s groundbreaking, Michelle Obama would be surrounded by children — an aspect near and dear to her heart.
As a founder of the Edible Schoolyard, a program in Berkeley and New Orleans to integrate organic gardens into schools, Waters wants all children to learn that vegetables and fruit come from the ground, not a store.
“If we make a beautiful place that children can walk through on tours of the White House, we can broadcast that message around the world,” Waters said. “It’s such a beautiful picture. It’s confirming and affirming their interest in the garden.”
via South Willard
Textfield · 03/20/09
An excerpt from Nine Lives artist Charlie White’s cartoon OMG BFF LOL from his project “Girl Studies”, 2008. (Run Time: 3 min., 16 sec.)
Jonathan · 03/18/09 
suddenly: where we live now
24 January — 12 April 2009
Opening Reception: Saturday, 24 January, 5-7 pm
In response to Sieverts’s observation, the exhibition—which is global in its scope and reach–seeks to imagine the possibilities of spaces and experiences that have an indigenous history (the parking lot, for instance), but that exist beyond historical definitions of city and countryside, and conventional material cycles of development and disuse. Through a myriad of representations, texts, and activities that offer far reaching symbolic and strategic alternatives to capitalism’s functionalist agendas, the artists and writers in this expansive global project are re-imagining the landscape where we live now as an independent identity to be reshaped in the hands and minds of its occupants.
suddenly includes a range of projects and media such as painting, photography, and video, and also includes community-based activities such as communal dinners, spontaneous public lectures, and a city-wide poster initiative. The exhibition will evolve as it tours the world through 2012.
The Pomona College Museum of Art iteration of suddenly includes the following artists: photographer Marc Joseph Berg, New York; photographer Zoe Crosher, Los Angeles; filmmaker Michael Damm, Oakland; painter Molly Dilworth, Brooklyn; architect, landscape designer, and social practice artist Fritz Haeg, Los Angeles; sculptor and glass artist Elias Hansen, Tacoma; social practice artist Michael Hebb, Seattle; sculptor and photographer Frank Heath, Brooklyn; conceptual artists Hadley+Maxwell, Berlin; new media artist Michael McManus, Portland; social practice artist Mike Merrill, Portland; the collective Mostlandian Citizens Lady O and Junior Ambassador, Portland; photographer Shawn Records, Portland; painter Storm Tharp, Portland; and sculptor and author Oscar Tuazon, Paris.
suddenly comprises a set of exhibitions curated by Stephanie Snyder, director of the Douglas F. Cooley Memorial Art Gallery at Reed College, Portland, Oregon, with an annotated reader edited by author Matthew Stadler, and a series of public events that attempt to re-imagine cityscapes with contemporary art, literature, and the conversations they spark. For more extensive project information, including event listings, audio recordings, and to order project publications, visit: www.suddenly.org.






by Leslie Kaufman
PALM DESERT, Calif. — Rick Clark’s garage is loaded with fast toys for playing in the sun. He has a buggy for racing on sand dunes, two sleek power boats for pulling water skiers, and a new favorite: 48 solar panels that send his energy meter whirring backward.
Bronzed and deeply lined from decades of life in the desert sun, Mr. Clark is not one to worry about global warming. He suspects that if the planet’s climate is getting hotter, it is part of a natural cycle and will probably correct itself. “Experts have been wrong before,” he said.
But late last year, Mr. Clark decided to install a $62,000 solar power system because of a new municipal financing program that lent him the money and allows him to pay it back with interest over 20 years as part of his property taxes. In so doing, he joined the vanguard of a social experiment that is blossoming in California and a dozen other states.
The goal behind municipal financing is to eliminate perhaps the largest disincentive to installing solar power systems: the enormous initial cost. Although private financing is available through solar companies, homeowners often balk because they worry that they will not stay in the house long enough to have the investment — which runs about $48,000 for an average home and tens of thousands of dollars more for a larger home in a hot climate — pay off.
But cities like Palm Desert lobbied to change state laws so that solar power systems could be financed like gas lines or water lines, covered by a loan from the city and secured by property taxes. The advantage of this system over private borrowing is that any local homeowners are eligible (not just those with good credit), and the obligation to pay the loan attaches to the house and would pass to any future buyers.
The idea of public financing for home solar systems began two years ago in Berkeley. While it took months to untangle the legislative knots at the state level and get banks lined up to back the project, the concept took on a life of it own.
Cisco DeVries, who developed the program for Berkeley but has since moved on to a company that administers and finances similar programs for many towns, said: “I’ve never been part of something like this where the power of an idea has grabbed so many people so quickly. It is viral.”
In California, about a half-dozen cities including San Francisco and San Diego are already committed to their own solar programs. And outside of California, at least a half-dozen states, including Arizona, Texas and Virginia, have introduced bills to allow municipal financing. Colorado has already passed a version of the law, and the City of Boulder is on the verge of beginning a program.
Municipal financing comes on top of other government supports. California residents receive a straight rebate for about 20 percent of the cost of a solar power system. In addition, a federal income tax credit for 30 percent of the cost of installing solar panels was extended to participants in the municipal loan programs as part of the economic stimulus bill passed by Congress. And there are efforts to change the federal tax code further so that cities can borrow the money to lend tax free.
But public financing of solar power also has critics, who say government is essentially subsidizing and encouraging a form of energy production that would otherwise not be cost effective. Severin Borenstein, director of the University of California Energy Institute in Berkeley, who is concerned about the proliferation of the programs, said, “It would be better for local governments to do energy efficiency and skip the solar panels.
“If you count the full-interest cost without the tax subsidy, residential solar panels never pay for themselves,” he said. “We shouldn’t be making it a major public priority.”
However, cities, which are charging 7 percent for the guaranteed loans, do not have the same financial risk as the consumers. And for cities like those in California that are required by state laws to reduce their carbon emissions, officials have to make calculations other than costs and are going ahead anyway.
No city is as far along as Palm Desert.
Instead of waiting to get financing through third parties as other cities have done, Palm Desert tapped into $7.5 million of its own reserves to run a pilot program. In what is widely seen as a measure of public demand, the program was almost immediately fully subscribed. Already, nearly 100 households have been approved for solar panels, and about half of those have already installed them and have a system up and running, according to Patrick Conlon, director of the city office of energy management.
From its arid climate to its conservative politics, Palm Desert could not be more different from Berkeley. But with 350 days of sun, the city is making a calculation that has nothing to do with saving the Earth.
“We live in a severe climate,” Mr. Conlon said. “To cool our buildings, we have to be energy gluttons. So renewable energy is important here as an economic choice. It’s bigger than politics.”
For Mr. Clark, that is certainly the case. His monthly energy bill for a 3,400-square-foot home and a guest house routinely surpassed $1,400 in summer months when the air conditioning ran all the time. Now his solar panels are producing more than enough energy in the daytime to power his home. The additional power is sent back to the grid and is credited on his utility bill against night and summer hours, when he might consume more power than he produces.
Mr. Clark estimates that at the rate he is going, his power bill will be at most $500 for this year. The savings will be great enough that, taking into account his investment, he will still save $3,000 a year or more.
The blue panels above his garage and his meter — which also tells him how much of the heat-trapping gas carbon dioxide he has avoided creating since the panels were installed (over 2,200 pounds) — have in fact had a kind of viral marketing effect in his upper-middle-class neighborhood. Homes here run well above $1 million, yet solar power was a rarity until the city program started.
“It can seem like a large and intimidating task,” said Valerie Van Winkle, a bank manager and a friend of Mr. Clark, who persuaded him and three other neighbors to take the solar plunge.
Ms. Van Winkle said the environmental cachet has also been fun. “I don’t even know anybody who voted for Obama,” she said.
Still she has become a proselytizer for solar power. “It just makes so much sense,” she said. “And, you know, I am happy it’s also good for the environment.”
Down the street, Debbie and Chris McNicol have a different take. Mr. McNicol used to be part of a professional drag racing crew and still races as a hobby on weekends. Their garage houses its own set of speed mobiles, including a 24-foot-long purple-and-yellow gas-guzzling dragster that goes up to 180 miles an hour. After installing solar panels, their first monthly energy bill dropped to $1.89.
Mr. McNicol is elated: “We can use the money we’ve saved to race new toys.”
Jonathan · 03/16/09














