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Man Burning w/
Keegan McHargue
September 11–24, 2010
Saturday, September 11: Glasser
Friday, September 17: Houston
Friday, September 24: Yemenwed
———————————
Glasser
A cappella at 8pm
W/———
141 Division Street
New York NY 10002
———————————
Afterparty at B.East
10:30pm–late
DJ sets by Jon Santos
Broadway East
171 E. Broadway
New York NY
Sponsored by Fader
hello@withnyc.org
withnyc.org

SCREENING PARTY
THURSDAY,
AUGUST 19, 2010
10:30 PM- ONWARDS
B.EAST
171 E BROADWAY
W/———
SUMMER SCREENINGS
AT B.EAST
withnyc.org


Thursday August 5, 2010 at 7 PM
235 Bowery
New York, NY
The Bidoun Library Project at the New Museum is a highly partial account of five decades of printed matter in, near, about, and around the Middle East. Arrayed along the library’s shelves are pulp fictions and propaganda, monographs and guidebooks, and pamphlets and periodicals, representing the oil boom and the Dubai bust, the Cold War and the hot pant; depicting Pan-Arabs and Black Muslims, revolutionaries and royals, Orientalism and its opposites.
For the opening night Bidoun will present selected readings and video clips from the collection. In addition, for the opening day of the project, Bidoun has invited booksellers usually found outside the New York University library to set up shop outside the New Museum.
Join us afterward for dancing and drinks at:
Sweet and Vicious
5 Spring Street
9pm
Music by Tim DeWitt (Gang Gang Dance)
For information visit bidoun.com or newmuseum.org
Tiffany · 08/02/10 ARE WE HAVING FUN YET!?
W/ STAND UP COMEDY
JUNE 10-27 2010
FOR HOURS, CHECK
WITHNYC.ORG
OPENING RECEPTION/
!?!??!?!!?!?!?!!?!?
THURSDAY JUNE 10, 2010
7:30-9:30PM
SPONSORED BY
PABST BLUE RIBBON
- - - - - - -
W/ ———––
141 Division Street
New York NY 10002

Opening June 10th at W/—, “APPLAUSE COPYRIGHT © 1966 BY BRUCE CONNOR. ALL RIGHTS RESERVED” is revisited by Stand Up Comedy. Focusing on one signal, the installation is a relic made to fit the confines of the project site. W/— as a place for entertainments and openings as recreation, or objects as performance. The audience will often define the space.

Sad to hear of the recent passing of New York designer Tobias Wong. I often referred students to his clever takes on everyday objects and conceptual approach to product design. A personal favorite was his a desktop pad of dollar bills glued on one edge.
An interview is here.
Mark · 06/02/10The Wallis Annenberg Photography Department is pleased to celebrate new and recent publications including Bananas for Moholy-Nagy by Patterson Beckwith, Four Over One by Phil Chang, the Aperture edition of Words Without Pictures edited by Alex Klein, and the limited edition of The Sun as Error by Shannon Ebner. A conversation moderated by Britt Salvesen, Curator, Wallis Annenberg Photography Department, with artists Patterson Beckwith and Phil Chang will begin promptly at 4:20 pm. Reception to follow. Light refreshments will be served. Signed books will be available for purchase.
Reception and Conversation
Sunday, May 23, 4-6pm
Art Catalogues at LACMA
Art Catalogues at LACMA is located in the Ahmanson Building near the Tony Smith sculpture Smoke.



Saturday, May 15, 2010
5:00pm-7:00pm
Printed Matter
195 Tenth Ave
New York, NY 10011
In Four Over One, the Los Angeles based artist Phil Chang employs the format of an artists book to explore ideas of economy and obsolescence. In collaboration with designer Jonathan Maghen, Four Over One is structured around Chang’s interest in how new outcomes arise from an antagonism between perceived and actual forms of value. The photographs that appear in the book were created using expired photographic materials exposed by an archival book scanner. Through a sparse display of color, black and white, and half-tone photographs, in conjunction with a restrained typographic treatment, Four Over One employs an economy of scale in order to consider the roles of abstraction, methods of art production, and modes of distribution in our contemporary culture.
Published by the Los Angeles County Museum of Art, Wallis Annenberg Photography Department , in association with Textfield, Inc.
Distributed by RAM Publications
Softcover, 16 pp., mimeograph/laser 1/1, 210 x 297 mm
Edition of 300
ISBN 978-0-9562605-2-9
Published by Occasional Papers and FormContent
This booklet is published as part of I Wonder What The Silence is About, a body of work, speculating on the (temporary?) disappearance of Art In Ruins. This English collaborative art practice was formed in 1984 and created a radical stance towards the art world, based on critical post-modern thinking. They have been for a short period omnipresent in the London/Berlin art scene before they fell silent in 2001. I contacted Art In Ruins and asked for permission to reprint one of their publications as part of my project. This they rejected but suggested to publish this interview instead, which was initially written for Frieze Magazine in 1994. It has not been printed until today.
—Eva Weinmayr
Distributed in North America by Textfield, Inc.

“There should be something smaller happening, although I can’t really say I’ve found it, which doesn’t mean that it doesn’t exist. If there’s a really good thing going on now and I don’t know about it, I think that’s kind of right. If I know what’s going on, then it’s not truly new, if you know what I mean.”
Interviewed by Fraser Cooke. Two figures I am perpetually mixed on.
Harsh · 04/16/108 April–7 May 2010
70 Franklin St (between Church & Broadway)
New York, NY 10013
Tagbanger · 04/15/10

Thank God I’m not the artist I make fun of all day, ’cause I’d just take these, compile ‘em into a book, and start showing up on all the blogs I make fun of all day.
Mark Manders, Traducing Ruddle
Newspaper, 16 pp., web offset 1/1, 350 x 480 mm
Insert, 48 pp., offset 1/1, 215 x 280 mm
Edition of 3000
ISBN 978-0-9738133-7-1
Published by Fillip Editions, Roma Publications
Sheets from Manders’ Traducing Ruddle form the central element of the artist’s Window with Fake Newspapers project, a site-specific public work on view through March 28th.
Distributed in North America by Textfield, Inc.

above: 1:1 scale, Waste Bookmark
Jonathan Maghen, Waste Bookmark
Bookmark, offset 1/0, 2 x 5.5 inches
Edition of 11 + 2 proofs, unnumbered
Published by Textfield
Card used by Pressman to indicate any waste, errors, bad sheets, etc., on a printed job to the Bindery; typically made from the waste sheets of other printed jobs. Re-reused as a bookmark; part of an unfinished book, used to bookmark the pages of a finished book.
Textfield · 03/02/10mosaicism.org by Daniel Ingroff, 4 March — 1 April 2010
Reception on Thursday, March 4th from 6-7:30pm at the library
A work inspired by photographs and paraphernalia taken from the Art department’s “picture files” — a unique collection of newspapers, magazine clippings and ephemera collected by librarians prior to the advent of the Internet. Made up of three distinct parts: a website, video and display, mosaicism.org investigates both digital and analogue forms of the “picture” by framing some of the aesthetic and emotional assumptions associated with these binaries.
Art, Music & Recreation Dept, 2nd Floor
Central Los Angeles Public Library
630 W Fifth St
Los Angeles, CA 90071
Hours: M-Th 10-8, Fri & Sat 10-6, Sun 1-5
Parking available on Flower between 5th and 6th streets
Wee See is a collection of black-and-white animations built from basic shapes — to intrigue both child and parent. As vision develops slowly over the first months of life, Wee See provides surfaces of bold, well-defined artwork to engage a child’s curious mind to bring the screen (and their imagination) to life.
Tagbanger · 02/24/10Softcover, 96 pp., offset 2/1, 140 x 230 mm
Edition of 1000
ISBN 978-0-9562605-1-2
Published by Occasional Papers
A collection of essays on book design by Catherine de Smet, James Goggin Jenni Eneqvist, Roland Früh, Corina Neuenschwander, Sarah Gottlieb, Richard Hollis, Chrissie Charlton, Armand Mevis.
Distributed in North America by Textfield, Inc.
















