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I designed a site for the Dial records artist.

Harsh · 03/04/10

Mark Manders, Traducing Ruddle

Mark Manders, Traducing Ruddle
Newspaper, 16 pp., web offset 1/1, 350 x 480 mm
Insert, 48 pp., offset 1/1, 215 x 280 mm
Edition of 3000
ISBN 978-0-9738133-7-1
Published by Fillip Editions, Roma Publications

Traducing Ruddle is the fifth in a series of “fake” newspapers by Dutch artist Mark Manders. Using a nonsensical combination of English words, Traducing Ruddle creates a pretense of legibility that dissolves upon closer inspection. The newspaper is supplemented by Two Connected Houses, a 48 page insert developed in conjunction with the exhibition Contemplating the Void: Interventions in the Guggenheim Museum.

Sheets from Manders’ Traducing Ruddle form the central element of the artist’s Window with Fake Newspapers project, a site-specific public work on view through March 28th.

Distributed in North America by Textfield, Inc.

Textfield · 03/02/10

Jonathan Maghen, Waste Bookmark
above: 1:1 scale, Waste Bookmark

Jonathan Maghen, Waste Bookmark
Bookmark, offset 1/0, 2 x 5.5 inches
Edition of 11 + 2 proofs, unnumbered
Published by Textfield

Card used by Pressman to indicate any waste, errors, bad sheets, etc., on a printed job to the Bindery; typically made from the waste sheets of other printed jobs. Re-reused as a bookmark; part of an unfinished book, used to bookmark the pages of a finished book.

Textfield · 03/02/10
We Have Photoshop
Jonathan · 03/01/10

Daniel Ingroff, mosaicism.org

mosaicism.org by Daniel Ingroff, 4 March — 1 April 2010

Reception on Thursday, March 4th from 6-7:30pm at the library

A work inspired by photographs and paraphernalia taken from the Art department’s “picture files” — a unique collection of newspapers, magazine clippings and ephemera collected by librarians prior to the advent of the Internet. Made up of three distinct parts: a website, video and display, mosaicism.org investigates both digital and analogue forms of the “picture” by framing some of the aesthetic and emotional assumptions associated with these binaries.

Works Sited
Art, Music & Recreation Dept, 2nd Floor
Central Los Angeles Public Library
630 W Fifth St
Los Angeles, CA 90071

Hours: M-Th 10-8, Fri & Sat 10-6, Sun 1-5
Parking available on Flower between 5th and 6th streets

Jonathan · 03/01/10

Vito Acconci

Please Join The USC Roski School of Fine Arts MPAS and MFA Programs for an evening with Vito Acconci this coming Tuesday, February 23, from 6-9pm.

The lecture will be held in the Roski Master of Fine Arts Gallery, located at:

Graduate Fine Arts Building
3001 South Flower Street
Los Angeles CA 90007
(213) 743-1804
http://roski.usc.edu

Charlie White, Director, MFA Program
Joshua Decter, Director, MPAS Program

Jonathan · 02/19/10

Sara De Bondt and Fraser Muggeridge, The Form of the Book Book

Sara De Bondt and Fraser Muggeridge, The Form of the Book Book
Softcover, 96 pp., offset 2/1, 140 x 230 mm
Edition of 1000
ISBN 978-0-9562605-1-2
Published by Occasional Papers

A collection of essays on book design by Catherine de Smet, James Goggin Jenni Eneqvist, Roland Früh, Corina Neuenschwander, Sarah Gottlieb, Richard Hollis, Chrissie Charlton, Armand Mevis.

Distributed in North America by Textfield, Inc.

Textfield · 02/18/10

Jean-Claude Vannier and his orchestra working with Yves Saint-Laurent in the early 70s.

Sandy · 02/16/10

via Union Football League / From a left wing.

Parkside · 02/13/10
Haiti Mon Amour

In June 2009, Marc Kremers stumbled across the personals section of Haitianconnection.com and collected several hundred of the brazen images he found there. After the devastion that the earthquake on 12th January 2010 has caused, and the subsequent media coverage of their plight, we at As-found think it’s pertinent to show Haitians according to their own self-image and means. Thanks to Damien Poulain for the title illustration and Julie Rubio for the exhibition title.

Jonathan · 02/09/10

Rafael Rozendaal, Into Time

Jonathan · 01/29/10

India's Women's National Team
by Jennifer Doyle
The New York Times

GOA, India — When the Indian women’s national team takes the field against Sri Lanka on Friday in the South Asian Games, it will be its first soccer match in two years.

India’s national soccer association had failed to schedule a friendly match for its women’s team since October 2007. And last June, FIFA, the sport’s world governing body, sent a rebuke to the All India Football Federation and, with no matches to evaluate, removed the Indian team from its world rankings.

The delisting seemed to move Indian soccer officials to action.

The team was reassembled in late November for a two-month training camp in Margao, Goa, home of one of India’s few artificial-turf fields.

While the men’s national team arrived by plane and stayed in five-star accommodations for its camp, the women’s team — a mixture of veteran and new players — traveled by train for as many as five days and was packed three to a room in a dormitory. The women had no training uniforms when they arrived and did their own laundry.

continue reading

Parkside · 01/29/10

Howard Zinn

Jonathan · 01/28/10

The Museum of Non Participation

Jonathan · 01/16/10

Slavs and Tatars / Ooga Booga

Slavs and Tatars & Ooga Booga present the west coast debut of Kidnapping Mountains. Featuring a selection and sale of Slavs and Tatars posters, editions, and printed matter.

Ooga Booga
943 N Broadway #203
Los Angeles CA 90012
14 January — 7 February 2010

Textfield · 01/15/10

Ooga Booga Reading Room

Ooga Booga is a concept shop vital to the creative life-blood of Los Angeles. It gathers an eclectic range of products. Spearheaded by Wendy Yao, Ooga Booga fosters a vibrant community of independent producers. For Swiss Institute, Yao installs a lounge in which one may read over 300 titles — from self to professionally published. The room contains contributions by:

38th Street, Alex Klein, Alex Olson, Alice Konitz, Amy Yao, Andrea Longacre-White, Andrew Jeffrey Wright, Apartamento, Art Since Summer of ’69, Arthure Ou, Asher Penn, B’Ling, Barry Johnston, Becca Albee, Benjamin Trogdon, Black Dog Publishing, Bookworks, Brian Kennon, Claudine Auguste, Cynthia Connolly, Cynthia Leung, David Benjamin Sherry, Dexter Sinister, Dorothee Perret, Drag City, Duncan Hamilton, Ethan Swan, Eva Svennung, Fillip, Form Content, Free Association Press, FR David, Frances Stark, Gloria Pedemonte, Goodiepal, Greene Naftali, Hanne Mugaas, Harsh Patel, Ingo Giezendanner, Isabel Asha Penzlien, Jim Drain, Joseph Mosconi, JRP, K8 Hardy, Leif Goldberg, Leopard Press, Lisa Farjam, Margaret Lee, Matt Wobensmith, Megawords, Melissa Ip, Michael & Lucena Valle-Rey, Mylinh Trieu Nguyen, Nick Relph + Oliver Payne, Nieves, Oliver Payne, Ooga Booga, Paige Johnston, Peres Projects, Picturebox, Phil Chang, Poppy Books, Primary Information, RE/Search publications, Semiotext(e), Slavs and Tatars, Sumi Ink Club, Taro Nettleton, Textfield, Ugly Duckling Presse, Wendy Yao, William E. Jones, and White Columns.

Swiss Institute
Ooga Booga Reading Room
1 December — 13 February 2010

Textfield · 01/11/10

Beatrice Valenzuela

“I always collected moccasins. I would get vintage ones, Canadian moccasins, Pueblo moccasins…I studied anthropology, so I have this fascination with anything indigenous — just how basic things can be, and how beautiful. So I had this obsession with moccasins and handmade shoes. And I found I couldn’t find a good pair of shoes out there that were good for every day that I really loved the design of, that were comfortable and that were affordable.”

— Beatrice Valenzuela

Jonathan · 01/07/10

Everything, Nothing, Something, Always (Walla!), is a time-based installation that takes the form of a one-act live theatrical play that repeats nine times over a period of three hours. This documentation is a sampling of all nine runs. Filmed during Performa 09 at X initiative on November 11th & 12th 2009. By Emily Mast.

Jonathan · 01/06/10

Shannon Ebner, Shrouded
Shrouded Monument, 2008, C-print, 48.5 x 40.5 inches

Shannon Ebner, Signal Hill
7 January — 13 February 2010
Altman Siegel Gallery, San Francisco

Images point to what is in the world; that is the problem with representation. I think that is why there has been so much activity around abstraction — it offers one possible way around the problem of pictures. I am looking for a way out of the problems of representation but I am not satisfied to leave the world of representation all together. I am somehow looking to stay in the world of depictive images by simply asking for more from them through developing a different system, idea or model of how they might function.

—Shannon Ebner

Textfield · 01/05/10

Amir Zaki, Volkswagon Vanogon diptych

James Harris Gallery is pleased to present an exhibition of new work by Amir Zaki. The artist has been working as a photographer for more than fifteen years, showing work from New York to Los Angles to Seattle. This is his fourth solo exhibit at James Harris Gallery. For this exhibition, Zaki shows a series of color-saturated lifeguard towers that have been digitally manipulated to render them more iconic than real.

Three years ago the artist moved from Los Angles to Orange County, California, prompting a noted shift in his work. Earlier projects captured the pools and mansions common to the Southern California landscape, documenting both the luxury and the cliché embedded in that region’s distinct architecture. Zaki brought a cool eye to these subjects, spying curvy swimming pools from above, and depicting retro-chic living rooms empty of inhabitants. Domestic scenes were rendered as near abstractions, both highlighting their subject’s power over our imagination, and seemingly trying to capture common scenes with an objective approach.

Zaki’s new work explores structures common to his new locale: lifeguard towers and the Volkswagen Vanagon. The beach-side architectural structures seem to float in the sky, as all access to the towers has been digitally erased. Colors in both the skies and the small buildings themselves have been intensified, adding to sense of the fantastic. Several structures read like military outlooks, all streamlined angularity, while others would not seem out of place at nearby Disneyland. The image of the Vanagon presents this beach mobile as both an emblem of 1960s hippiedom, as well as a smooth-edged visual sculpture. On a biographical note, the two vans represent the vehicle Zaki owned as a younger man, and the replacement he sought out more than a decade later. The two mirrored images look at each other nose to nose, perhaps a portrait of youth staring age in the eye.

Amir Zaki, Relics
Reception: 7 January 2010, 6pm
7 January 2010 — 20 February 2010
James Harris Gallery
312 Second Avenue South
Seattle, WA

Jonathan · 12/18/09

Ed Ruscha, Photographer

Bookshop now open — email your order (or order online) and receive 15% off all books, catalogs, editions, magazines, monographs, multiples, and videos, between November 24, 2009 and January 1, 2010. All orders placed by December 11th, will be delivered by December 24th. Orders placed online will receive a 15% refund. Happy Holidays!

Publishers
032c, A&R Press, Bas Morsch, Book Works, Capricious, Charlie White, Christoph Keller Editions, C Magazine, Coins, David Kordansky Gallery, Fillip, FormContent, Four Corners Books, Glen Cummings, Adam Michaels, Harsh Patel, Hassla Books, Hunter and Cook, Hypen Press, JRP|Ringier, Kunst Halle Sankt Gallen, Laura Bartlett Gallery, Laura Palmer Foundation, Manuel Raeder, Mono.Kultur, Museum Paper, Nieves, OK-RM, onestar press, Paperback, Paper Monument, Passenger Books, Peres Projects, Seems, Primary Information, Semiotexte, Slavs and Tatars, Steidl, Textfield, The Power Plant,Tramnesia, True True True, Turner, Vier5, Walker Art Center, Wallspace, Walther König, Wear, and more.

Textfield · 12/14/09

zs.jpg

Harsh · 12/12/09

Keith Bormuth, The Occasion of Fracture

Keith Bormuth, The Occasion of Fracture
Softcover, 28 pp., offset 1/1, 160 x 240 mm
Edition of 500
Published by Keith Bormuth

Keith Bormuth’s The Occasion of Fracture traces the notion that media fulfills itself in a phatic relationship to knowledge. Following a ghost image of Reyner Banham’s seminal text on Los Angeles, Bormuth melds the on-screen laughter of the 1940s Hollywood star Irene Dunne with the show Gossip Girl, F. Scott Fitzgerald’s posthumously published The Crack Up, and the cameo appearance by Georges Bataille as a priest in Jean Renoir’s film Partie de Campagne. Composed in 11 themes, the text seeks to fracture the semblance images have as things.

Distributed in North America by Textfield, Inc.

Textfield · 12/10/09

Shannon Ebner, Not Equal
Not Equal, 2009, Plywood, wood glue and enamel paint, 13.1 x 17.75 inches

Shannon Ebner
Invisible Language Workshop
30 October — 19 December 2009
Opening Reception: Friday 30 October, 6-8pm
Wallspace

Images point to what is in the world; that is the problem with representation. I think that is why there has been so much activity around abstraction — it offers one possible way around the problem of pictures. I am looking for a way out of the problems of representation but I am not satisfied to leave the world of representation all together. I am somehow looking to stay in the world of depictive images by simply asking for more from them through developing a different system, idea or model of how they might function.
—Shannon Ebner

via

Textfield · 12/09/09

mixhell.jpg

Two good show openings in LA tonight - Arthur Ou and Alice Könitz (information below this post), and Asher Penn (with a performance by Kayla Guthrie).

ASHER MIXTAPE HELL 2
November 21 - December 13, 2009
Young Art
1727 N. Spring Street
Los Angeles, 90012
OPENING RECEPTION
Saturday, November 21, 2009
7-10pm

AFTER PARTY @ JED’S
performance by Kayla Guthrie
11pm
443 S. San Pedro St. #402
Los Angeles, 90013

Harsh · 11/21/09

Alice Konitz and Arthur OuExhibition poster design by Sandy Yang

Resort, A Station for Display
Arthur Ou and Alice Könitz
November 21, 2009 — January 16, 2010
Reception: Saturday, November 21, 2009, 7-9pm

LAXART
2640 S La Cienega Blvd
Los Angeles CA 90034

Jonathan · 11/20/09

Music Video for my brother’s band, Escort, All Through the Night, edited and synched to various Muppets shows by Irvin Coffee, 2007. Miss you Darius!

Jonathan · 11/19/09
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