- Academia
- Aliens
- Anglophile
- Animals
- Animation
- Architecture
- Art
- Astronomy
- Automobiles
- Basketball
- Bicycles
- Biennials
- Blogs
- Books
- Business
- Calisthenics
- Camping
- Canada
- Cartoons
- Celebrities
- Central Asia
- Children
- Cinema
- Clubs
- Comedy
- Commentary
- Commercials
- Crime
- Culture
- Dance
- Death
- Design
- Discussions
- Distribution
- Documentaries
- Drugs
- Economics
- Editions
- England
- Exhibitions
- Fútbol
- Family
- Fashion
- Figure Skating
- Film
- Fluxus
- Food
- France
- Friends
- Fungi
- Furniture
- Gang
- Gardening
- Gifts
- Health
- History
- Humans
- Internet
- Interviews
- Japan
- Landscape
- Letterpress
- Libraries
- Literature
- Los Angeles
- Magazines
- Mathematics
- Migrants
- Movies
- Muppets
- Museums
- Music
- Networking
- New York
- Painting
- Parkside
- Performance
- Philantrophy
- Philosophy
- Photography
- Pictures
- Plants
- Politics
- Press
- Printing
- Programming
- Psychology
- Publishing
- Puppets
- Queer
- Race
- Religion
- Reviews
- Science
- Sculpture
- Silkscreening
- Skateboarding
- Sound
- Space
- Sports
- Styling
- Surfing
- Symposium
- Tagbanger
- Talks
- Teaching
- Technology
- Television
- Textfield
- Tournament
- Tutorial
- Typography
- Video
- Video Game
- War
- Women
- Zines
mosaicism.org by Daniel Ingroff, 4 March — 1 April 2010
Reception on Thursday, March 4th from 6-7:30pm at the library
A work inspired by photographs and paraphernalia taken from the Art department’s “picture files” — a unique collection of newspapers, magazine clippings and ephemera collected by librarians prior to the advent of the Internet. Made up of three distinct parts: a website, video and display, mosaicism.org investigates both digital and analogue forms of the “picture” by framing some of the aesthetic and emotional assumptions associated with these binaries.
Art, Music & Recreation Dept, 2nd Floor
Central Los Angeles Public Library
630 W Fifth St
Los Angeles, CA 90071
Hours: M-Th 10-8, Fri & Sat 10-6, Sun 1-5
Parking available on Flower between 5th and 6th streets

Not the newest, but nevertheless essential reading: “The Courage of the Present,” an op-ed piece by Alain Badiou, originally published in Le Monde, 13 February 2010. Translated by Alberto Toscano.
Mark · 02/24/10
Jean-Claude Vannier and his orchestra working with Yves Saint-Laurent in the early 70s.
Sandy · 02/16/10In June 2009, Marc Kremers stumbled across the personals section of Haitianconnection.com and collected several hundred of the brazen images he found there. After the devastion that the earthquake on 12th January 2010 has caused, and the subsequent media coverage of their plight, we at As-found think it’s pertinent to show Haitians according to their own self-image and means. Thanks to Damien Poulain for the title illustration and Julie Rubio for the exhibition title.
Jonathan · 02/09/101940s Studio Organization, 20th Century Fox.
The following diagrams outline the structure of the 20th Century Fox film studio in the 1940s. The charts detail everything from the highest to the most menial of positions at the studio, from the catering through the legal department. They appear in approximately the same order as they appeared in the book they were scanned from.
Sun · 12/31/09Laura Palmer Foundation, Stadium X — A Place That Never Was offers a selection of texts presenting a multi-faceted picture of that site’s deterioration and its existence as a ‘city within a city’ and also documents the series of live art projects. The Stadium and its parasites functions, which are now being erased form the map of Warsaw will likely become some distant planet, while the present publication, with the brilliant contributions from its authors, will attain — perhaps — the status of an unreal story about a place that, after all, never was.
Talk, Screenings, Book Launch and Discussion
Thursday, November 12, 7pm
16 Beaver St, 4th Floor
New York, NY 10004
Free and open to all
Distributed in North America by Textfield, Inc.

Got to meet Erik at Motto’s book fair and picked up a copy of Siedlung, published by one of my all-time favorite imprints, Roma.
Van der Weijde’s photographic project documents over 220 houses built in Germany between 1933 and 1945 in order to eventually provide a house for every working-class NSDAP member. In turn this ‘Siedlungpolitiek’ was both a powerful Nazi propaganda tool and a way to provide living space to loyal members. Most of these houses still exist, however unless one knows their full history they retain an unassuming normalcy.
Harsh · 09/11/09 
The 2,225 nautical mile race from Los Angeles to Hawaii started today for the division 1 and 2 boats. My money is on Alfa Romeo II breaking the mono-hull record of 6 days 16 hours 4 minutes 11 seconds.
I talked to Clark Duke (actor who plays Ben Franklin’s son) at a gallery in Culver City once. Nice guy. I complimented his [sort of] underground webisode series with Michael Cera, who appears in the prior Drunk History. That same night, I had a really bizarre, long, angry staring match with this man. No idea.
Harsh · 07/05/09 
by A. O. Scott
The first thing you see in “Tyson,” James Toback’s powerful and troubling new documentary, is an old television clip showing Mike Tyson, on Nov. 22, 1986, defeating Trevor Berbick to win the W.B.C. heavyweight title. Just 20 years old, Mr. Tyson was the youngest fighter to win that belt, and to see him take it is to recall, especially in light of the shambling, thuggish caricature he would later become, what a dazzling and ferocious boxer he was in his prime.
The only thing more astonishing than the speed of his combinations was their force, and his ability to blend quickness with brute strength quickly overpowered his early opponents, not many of whom lasted very long in the ring with him. Mr. Berbick, a taller, heavier and more experienced fighter, was done before the second round was over, and what the slow-motion video shows most indelibly is the terror on his face before the referee mercifully called a TKO.
The essence of boxing is violence, but few fighters have refined it — have embodied it — quite as effectively as Mr. Tyson has; he sometimes speaks to Mr. Toback’s camera about the murderous clarity he took into the ring with him. He says he used to imagine his fists smashing through his opponent’s faces and out the backs of their heads. The pure terror in Mr. Berbick’s eyes (and in those of most of the other fighters Mr. Tyson met during his rapid rise and brief reign) suggests that he might well have been capable of wreaking that kind of damage.
But the damage surveyed in “Tyson” is mostly self-inflicted. Fear is certainly one of the film’s motifs, but it seems that Mr. Tyson suffers from at least as much as he inspires. “I’m afraid. I’m afraid. I’m afraid,” he says at one point, giving voice to his state of mind in the moments before a bout. He also remembers being bullied and humiliated as a child in Brooklyn, but in listening to his moody, rambling and frequently thoughtful disquisitions on his own life you are struck by intimations of a dread much deeper than the fear of physical harm or loss of face.
With a single exception — his relationship with his trainer and mentor, Cus D’Amato — Mr. Tyson’s experience of the world has been marked by mistrust and suspicion, by a view of other people that is hard and pitiless. They are users, operators, “leeches,” he says, but he rarely claims to be any better. He is only human.
Most of the movie consists of the former champ sitting in a house near the Pacific Ocean, speaking into the camera as if no one else were around. This produces an effect of almost unnerving intimacy — it is a bit scary to be so close to him — but also an upwelling, perhaps unexpected, of compassion. It is hard to imagine anyone more radically alone.
Whether or not he deserves our sympathy is a fair question. It is easy, and not entirely unjustified, to look at Mr. Tyson, his left eye ringed by a Maori tattoo, his head shaved clean, and see a self-pitying, self-justifying man who squandered his talent and good fortune and caused much more hurt than his brutal profession required. He started out as a street criminal in Brownsville, Brooklyn, and was plucked from juvenile detention by Mr. D’Amato and his associates, who disciplined the young man’s natural volatility and turned him into a fighter.
But Mr. Tyson never learned to control his brutish, self-destructive instincts. His brief first marriage, to the actress and model Robin Givens, was marked by accusations of abuse, and in 1993 he went to prison after being convicted of sexually assaulting a beauty pageant contestant in Indiana. By now he may be better known for ranting and press conferences and for biting Evander Holyfield’s ear during a 1997 fight than for the mighty pugilistic feats of his youth.
And a lot of people, even passionate boxing fans, might prefer to forget about Mr. Tyson rather than spend 90 minutes in his company. But “Tyson” is worth seeing even if you have no particular interest in the sport or the man.
It may lack the detachment and the balance that Barbara Kopple brought to “Fallen Champ: The Untold Story of Mike Tyson,” the 1993 documentary she made for NBC, but Mr. Toback’s film, partly because it restricts itself to Mr. Tyson’s point of view, offers a rare and vivid study in the complexity of a single suffering, raging soul. It is not an entirely trustworthy movie, but it does feel profoundly honest.
From time to time the screen is divided into two or three almost identical images, and the sound is edited to make it sound as if Mr. Tyson is in dialogue with himself, his words echoing and overlapping. These effects emphasize the film’s main point, which is that Mr. Tyson is too mercurial, too self-contradictory, to be easily summed up.
He is by turns boastful, angry, remorseful and bewildered, choking up when he recalls Mr. D’Amato, whose death in 1985 remains the central tragedy of Mr. Tyson’s life. He relates the details of that life with candor and feeling, and also with an analytical ardor that is moving because it reveals his struggle to figure himself out.
Without the sympathetic presence of Mr. Toback, whom he has known for many years, it is unlikely that Mr. Tyson would have opened up in this way. And it is also likely that without Mr. Tyson’s presence, the director would have been unlikely to restrain his own self-indulgent impulses.
Mr. Toback’s fascination with hyperbolic visions of masculinity predates his filmmaking career, going back at least to a notorious 1967 essay on Norman Mailer. As a screenwriter and director — from “Fingers” to “Harvard Man” — he has been preoccupied with brutality, vanity and sexual conquest, and with the interplay between those elemental impulses and the refinements of art and culture.
His protagonists tend to be variously romanticized versions of himself: intellectuals seduced by fantasies of crime, risk, sexual wantonness and violence. Even in his most interesting projects he frequently loses track of the difference between exploring such fantasies and indulging them, but in “Tyson,” his first nonfiction film, he is held in check by the irreducible, excruciating realness of the man in front of the camera. The transaction between them is charged with a strange kind of magic. The filmmaker allows the fighter to have his unchallenged say to justify, condemn and contradict himself. In exchange Mr. Tyson has enabled Mr. Toback to make his best film, which is also, paradoxically, his most personal.
“Tyson” is rated R (Under 17 requires accompanying parent or adult guardian). It has profanity and violence.
TYSON
Opens on Friday in Manhattan.
Directed by James Toback; director of photography, Larry McConkey; edited by Aaron Yanes; music by Salaam Remi, with the song “Legendary” by Nas; produced by Mr. Toback and Damon Bingham; released by Sony Pictures Classics. Running time: 1 hour 30
via South Willard
Tagbanger · 04/25/09
Erich Fromm, psychoanalyst and social critic, talks about society, materialism, relationships, government, religion, and happiness. Interviewed by Mike Wallace. 3 part video.
Found from the blog my friend Shane Lester keeps. (Happy Birthday!)
Sun · 04/17/09
Ice T rappin over Jam on it via West Coast Pioneers TV broadcasting rare footage, videos, interviews and commercials of the early West Coast.
Have a great weekend!
Thursday, 2 April 2009
MOCA Grand Ave
7-10 pm, free
For the second event of their three-month Engagement Party residency, Knifeandfork explores the media-perpetuated nature of the chance moment in Trying the Hand of God, hosting a carefully choreographed continuous reenactment of the infamous illegal, but not penalized, “Hand of God” soccer goal from the 1986 International Federation of Associated Football (FIFA) World Cup. The performance will be staged on a recreation of Mexico City’s Aztec Stadium, constructed within the confines of the MOCA Sculpture Plaza. A limited number of audience members will have the opportunity to play the role of Diego Maradona, the Argentine soccer legend who scored the controversial goal against England during the quarterfinals, eventually leading his team to win the match and the tournament.
Live announcing by Enrique Gutierrez of KMEX/Univision 34
Performance and video direction by Mike Cahill
Performance by Josh Anderson, Scott Davis, Kenny Garay, Oscar Garay, Elmer Garcia, Brian Shim
DJ set by Wendy Yao
Blogging by Guthrie Lonergan
Tacos by Kogi
Cash bar

Photograph by Michael Wells
“The Global Game has published a nice story about Municipal de Fútbol (”Where Angelenos do not fear to tread“). There you will also find a podcast interview with Jennifer Doyle by John Turnbull. The post includes extra research he put into the article — especially his inclusion of a link to this June 2008 story in the LA Times about a team of Guatemalen women playing in MacArthur Park. He points out that the spot where those women play is the location for the opening scenes of Goal. We should also remember that this is where the LAPD attacked people participating in an immigrants rights march and rally in May, 2007 (see LAPD tries to crush immigrant rights movement).”
Municipal de Fútbol is distributed by D.A.P.
Textfield · 03/31/09But in the considered opinion of the neurologist Oliver Sacks, Dyson’s friend and fellow English expatriate, this is far from the case. “His mind is still so open and flexible,” Sacks says. Which makes Dyson something far more formidable than just the latest peevish right-wing climate-change denier. Dyson is a scientist whose intelligence is revered by other scientists — William Press, former deputy director of the Los Alamos National Laboratory and now a professor of computer science at the University of Texas, calls him “infinitely smart.” Dyson — a mathematics prodigy who came to this country at 23 and right away contributed seminal work to physics by unifying quantum and electrodynamic theory — not only did path-breaking science of his own; he also witnessed the development of modern physics, thinking alongside most of the luminous figures of the age, including Einstein, Richard Feynman, Niels Bohr, Enrico Fermi, Hans Bethe, Edward Teller, J. Robert Oppenheimer and Edward Witten, the “high priest of string theory” whose office at the institute is just across the hall from Dyson’s. Yet instead of hewing to that fundamental field, Dyson chose to pursue broader and more unusual pursuits than most physicists — and has lived a more original life.
Among Dyson’s gifts is interpretive clarity, a penetrating ability to grasp the method and significance of what many kinds of scientists do. His thoughts about how science works appear in a series of lucid, elegant books for nonspecialists that have made him a trusted arbiter of ideas ranging far beyond physics. Dyson has written more than a dozen books, including “Origins of Life” (1999), which synthesizes recent discoveries by biologists and geologists into an evaluation of the double-origin hypothesis, the possibility that life began twice; “Disturbing the Universe” (1979) tries among other things to reconcile science and humanity. “Weapons and Hope” (1984) is his meditation on the meaning and danger of nuclear weapons that won a National Book Critics Circle Award. Dyson’s books display such masterly control of complex matters that smart young people read him and want to be scientists; older citizens finish his books and feel smart.
Yet even while probing and sifting, Dyson is always whimsically gazing into the beyond. As a boy he sketched plans for English rocket ships that could explore the stars, and then, in midlife, he helped design an American spacecraft to be powered by exploding atomic bombs — a secret Air Force project known as Orion. Dyson remains an armchair astronaut who speculates with glee about the coming of cheap space travel, when families can leave an overcrowded earth to homestead on asteroids and comets, swooping around the universe via solar sail craft. Dyson is convinced that our current “age of computers” will soon give way to “the age of domesticated biotechnology.” Bio-tech, he writes in his book, “Infinite in All Directions” (1988), “offers us the chance to imitate nature’s speed and flexibility,” and he imagines the furniture and art that people will “grow” for themselves, the pet dinosaurs they will “grow” for their children, along with an idiosyncratic menagerie of genetically engineered cousins of the carbon-eating tree: termites to consume derelict automobiles, a potato capable of flourishing on the dry red surfaces of Mars, a collision-avoiding car.
These ideas attract derision similar to Dyson’s essays on climate change, but he is an undeterred octogenarian futurist. “I don’t think of myself predicting things,” he says. “I’m expressing possibilities. Things that could happen. To a large extent it’s a question of how badly people want them to. The purpose of thinking about the future is not to predict it but to raise people’s hopes.” Formed in a heretical and broad-thinking tradition of British public intellectuals, Dyson left behind a brooding England still stricken by two bloody world wars to become an optimistic American immigrant with tremendous faith in the creative imagination’s ability to invent technologies that would overcome any predicament. And according to the physicist and former Caltech president Marvin Goldberger, Dyson is himself the living embodiment of that kind of ingenuity. “You point Freeman at a problem and he’ll solve it,” Goldberger says. “He’s extraordinarily powerful.” Dyson seems to see the world as an interdisciplinary set of problems out there for him to evaluate. Climate change is the big scientific issue of our time, so naturally he finds it irresistible. But to Dyson this is really only one more charged conundrum attracting his interest just as nuclear weapons and rural poverty have. That is to say, he is a great problem-solver who is not convinced that climate change is a great problem.
Dyson is well aware that “most consider me wrong about global warming.” That educated Americans tend to agree with the conclusion about global warming reached earlier this month at the International Scientific Conference on Climate Change in Copenhagen (“inaction is inexcusable”) only increases Dyson’s resistance. Dyson may be an Obama-loving, Bush-loathing liberal who has spent his life opposing American wars and fighting for the protection of natural resources, but he brooks no ideology and has a withering aversion to scientific consensus. The Nobel physics laureate Steven Weinberg admires Dyson’s physics — he says he thinks the Nobel committee fleeced him by not awarding his work on quantum electrodynamics with the prize — but Weinberg parts ways with his sensibility: “I have the sense that when consensus is forming like ice hardening on a lake, Dyson will do his best to chip at the ice.”
Dyson says he doesn’t want his legacy to be defined by climate change, but his dissension from the orthodoxy of global warming is significant because of his stature and his devotion to the integrity of science. Dyson has said he believes that the truths of science are so profoundly concealed that the only thing we can really be sure of is that much of what we expect to happen won’t come to pass. In “Infinite in All Directions,” he writes that nature’s laws “make the universe as interesting as possible.” This also happens to be a fine description of Dyson’s own relationship to science. In the words of Avishai Margalit, a philosopher at the Institute for Advanced Study, “He’s a consistent reminder of another possibility.” When Dyson joins the public conversation about climate change by expressing concern about the “enormous gaps in our knowledge, the sparseness of our observations and the superficiality of our theories,” these reservations come from a place of experience. Whatever else he is, Dyson is the good scientist; he asks the hard questions. He could also be a lonely prophet. Or, as he acknowledges, he could be dead wrong.
IT WAS FOUR YEARS AGO that Dyson began publicly stating his doubts about climate change. Speaking at the Frederick S. Pardee Center for the Study of the Longer-Range Future at Boston University, Dyson announced that “all the fuss about global warming is grossly exaggerated.” Since then he has only heated up his misgivings, declaring in a 2007 interview with Salon.com that “the fact that the climate is getting warmer doesn’t scare me at all” and writing in an essay for The New York Review of Books, the left-leaning publication that is to gravitas what the Beagle was to Darwin, that climate change has become an “obsession” — the primary article of faith for “a worldwide secular religion” known as environmentalism. Among those he considers true believers, Dyson has been particularly dismissive of Al Gore, whom Dyson calls climate change’s “chief propagandist,” and James Hansen, the head of the NASA Goddard Institute for Space Studies in New York and an adviser to Gore’s film, “An Inconvenient Truth.” Dyson accuses them of relying too heavily on computer-generated climate models that foresee a Grand Guignol of imminent world devastation as icecaps melt, oceans rise and storms and plagues sweep the earth, and he blames the pair’s “lousy science” for “distracting public attention” from “more serious and more immediate dangers to the planet.”
A particularly distressed member of that public was Dyson’s own wife, Imme, who, after seeing the film in a local theater with Dyson when it was released in 2006, looked at her husband out on the sidewalk and, with visions of drowning polar bears still in her eyes, reproached him: “Everything you told me is wrong!” she cried.
“The polar bears will be fine,” he assured her.
Not long ago Dyson sat in his institute office, a chamber so neat it reminds Dyson’s friend, the writer John McPhee, of a Japanese living room. On shelves beside Dyson were books about stellar evolution, viruses, thermodynamics and terrorism. “The climate-studies people who work with models always tend to overestimate their models,” Dyson was saying. “They come to believe models are real and forget they are only models.” Dyson speaks in calm, clear tones that carry simultaneous evidence of his English childhood, the move to the United States after completing his university studies at Cambridge and more than 50 years of marriage to the German-born Imme, but his opinions can be barbed, especially when a conversation turns to climate change. Climate models, he says, take into account atmospheric motion and water levels but have no feeling for the chemistry and biology of sky, soil and trees. “The biologists have essentially been pushed aside,” he continues. “Al Gore’s just an opportunist. The person who is really responsible for this overestimate of global warming is Jim Hansen. He consistently exaggerates all the dangers.”
Dyson agrees with the prevailing view that there are rapidly rising carbon-dioxide levels in the atmosphere caused by human activity. To the planet, he suggests, the rising carbon may well be a MacGuffin, a striking yet ultimately benign occurrence in what Dyson says is still “a relatively cool period in the earth’s history.” The warming, he says, is not global but local, “making cold places warmer rather than making hot places hotter.” Far from expecting any drastic harmful consequences from these increased temperatures, he says the carbon may well be salubrious — a sign that “the climate is actually improving rather than getting worse,” because carbon acts as an ideal fertilizer promoting forest growth and crop yields. “Most of the evolution of life occurred on a planet substantially warmer than it is now,” he contends, “and substantially richer in carbon dioxide.” Dyson calls ocean acidification, which many scientists say is destroying the saltwater food chain, a genuine but probably exaggerated problem. Sea levels, he says, are rising steadily, but why this is and what dangers it might portend “cannot be predicted until we know much more about its causes.”
For Hansen, the dark agent of the looming environmental apocalypse is carbon dioxide contained in coal smoke. Coal, he has written, “is the single greatest threat to civilization and all life on our planet.” Hansen has referred to railroad cars transporting coal as “death trains.” Dyson, on the other hand, told me in conversations and e-mail messages that “Jim Hansen’s crusade against coal overstates the harm carbon dioxide can do.” Dyson well remembers the lethal black London coal fog of his youth when, after a day of visiting the city, he would return to his hometown of Winchester with his white shirt collar turned black. Coal, Dyson says, contains “real pollutants” like soot, sulphur and nitrogen oxides, “really nasty stuff that makes people sick and looks ugly.” These are “rightly considered a moral evil,” he says, but they “can be reduced to low levels by scrubbers at an affordable cost.” He says Hansen “exploits” the toxic elements of burning coal as a way of condemning the carbon dioxide it releases, “which cannot be reduced at an affordable cost, but does not do any substantial harm.”
Science is not a matter of opinion; it is a question of data. Climate change is an issue for which Dyson is asking for more evidence, and leading climate scientists are replying by saying if we wait for sufficient proof to satisfy you, it may be too late. That is the position of a more moderate expert on climate change, William Chameides, dean of the Nicholas School of the Environment and Earth Sciences at Duke University, who says, “I don’t think it’s time to panic,” but contends that, because of global warming, “more sea-level rise is inevitable and will displace millions; melting high-altitude glaciers will threaten the food supplies for perhaps a billion or more; and ocean acidification could undermine the food supply of another billion or so.” Dyson strongly disagrees with each of these points, and there follows, as you move back and forth between the two positions, claims and counterclaims, a dense thicket of mitigating scientific indicators that all have the timbre of truth and the ring of potential plausibility. One of Dyson’s more significant surmises is that a warming climate could be forestalling a new ice age. Is he wrong? No one can say for sure. Beyond the specific points of factual dispute, Dyson has said that it all boils down to “a deeper disagreement about values” between those who think “nature knows best” and that “any gross human disruption of the natural environment is evil,” and “humanists,” like himself, who contend that protecting the existing biosphere is not as important as fighting more repugnant evils like war, poverty and unemployment.
Embedded in all of Dyson’s strong opinions about public policy is a dual spirit of social activism and uneasiness about class dating all the way back to Winchester, where he was raised in the 1920s and ’30s by his father, George Dyson, the son of a Yorkshire blacksmith. George was the music instructor at Winchester College, an old and prestigious secondary school, and a composer. Dyson’s mother, Mildred Atkey, came from a more prosperous Wimbledon family that had its own tennis court. Together they raised Dyson and his sister, Alice, in what Dyson calls a “watered-down Church of England Christianity” that regarded religion as a guide to living rather than any system of belief. The emphasis on tolerance, charity and community — and the free time afforded by the luxury of four servants — led Mildred to organize a club for teenage girls and a birth-control clinic. These institutions meshed uneasily with her patrician Victorian sensibilities. The girls were never, Dyson says, “considered equals,” and Mildred told him with amusement about the young mother who walked in carrying a red-headed infant. “What a beautiful baby,” Mildred reported saying. “Does he take after his father?”
“Oh, I couldn’t tell you, Mum,” came the reply. “He kept his hat on.”
Winchester is a medieval town in which, Dyson writes, he felt that everyone was looking backward, mourning all the young men lost to one world war while silently anticipating his own generation’s impending demise. He renounced the nostalgia, the servants, the hard-line social castes. But what he liked about growing up in England was the landscape. The country’s successful alteration of wilderness and swamp had created a completely new green ecology, allowing plants, animals and humans to thrive in “a community of species.” Dyson has always been strongly opposed to the idea that there is any such thing as an optimal ecosystem — “life is always changing” — and he abhors the notion that men and women are something apart from nature, that “we must apologize for being human.” Humans, he says, have a duty to restructure nature for their survival.
All this may explain why the same man could write “we live on a shrinking and vulnerable planet which our lack of foresight is rapidly turning into a slum” and yet gently chide the sort of Americans who march against coal in Washington. Dyson has great affection for coal and for one big reason: It is so inexpensive that most of the world can afford it. “There’s a lot of truth to the statement Greens are people who never had to worry about their grocery bills,” he says. (“Many of these people are my friends,” he will also tell you.) To Dyson, “the move of the populations of China and India from poverty to middle-class prosperity should be the great historic achievement of the century. Without coal it cannot happen.” That said, Dyson sees coal as the interim kindling of progress. In “roughly 50 years,” he predicts, solar energy will become cheap and abundant, and “there are many good reasons for preferring it to coal.”
THE WORDS COLLEAGUES COMMONLY use to describe Dyson include “unassuming” and “modest,” and he seems the very embodiment of Newton’s belief that a man should strive for simplicity and avoid confusion in life. Dyson has been in residence at the institute since 1953, a time when Albert Einstein shared his habit of walking to work there, which Dyson still does seven days a week, to write on a computer and solve any problems that come across his desk with paper and pencil. (In his prime, legend held that he never used the eraser.) He and Imme have spent 51 happy years together in the same house, a white clapboard just over the garden fence from the stucco affair once inhabited by their former neighbors, the Oppenheimers. On some Sundays the Dysons pile into a car still decorated with an Obama bumper sticker and drive to running races, at which Dyson can be found at the finish line loudly cheering for the 72-year-old Imme, a master’s marathon champion. On many other weekends, they visit some of their 16 grandchildren. During the holiday season the Dysons routinely attend five parties a week, cocktail-soiree sprints at which guests tend to find him open-minded and shy: when friends’ wives give him a hug, he blushes. One of Dyson’s daughters, the Internet vizier Esther Dyson, says her father raised her without a television so she would read more, and has always been “just as interested in talking to” the latest graduate student to make the pilgrimage to Princeton “as he is the famous person at the next table.” Oliver Sacks says that Dyson has “a genius for friendship.”
Who Speaks For Earth? — Episodes of Carl Sagan’s Cosmos available on Hulu.
via Lined & Unlined
Jonathan · 03/24/09 
by Rebecca Cole
Reporting from Washington — This year, the vegetables served at the White House will be as locally grown as possible — some right on the South Lawn.
After a campaign by gardeners and sustainable food activists, the first family has decided to dig up part of the White House grounds for a vegetable garden. In a ceremony today, First Lady Michelle Obama and local elementary students will break ground for the project.
It is part of the first lady’s promotion of healthful food for her daughters, Malia and Sasha, as well as for the nation. But like many parents, the Obamas have had mixed results: Michelle Obama recently said a version of “creamless” creamed spinach by White House executive chef Cristeta Comerford still was a bit too “green” for the kids.
More than 100,000 people have lobbied the president online to plant a garden on the White House lawn, according to Kitchen Gardeners International, a coalition of gardeners whose mission is to inspire and teach people to grow their own food. The group’s Eat the View campaign to plant “high-impact gardens in high-profile places” urged the first family to start an edible garden within the first 100 days of the Obama administration.
Launched in February 2008 and spearheaded by Roger Doiron, a gardener in Scarborough, Maine, the movement hoped to have the president’s family set the right example in terms of healthful eating — “gardening for the greater good,” as Doiron said.
“It begins at home,” Doiron said. “That’s where we start. And if we get a number of people together carrying out these small actions, it will speak volumes and add up.”
Since the early 1990s, food-activist pioneers such as Berkeley restaurateur Alice Waters and author Michael Pollan have lobbied for an “edible landscape” across the 16 acres of White House grounds.
Though the Clintons did have a small rooftop garden that grew vegetables and herbs and Laura Bush made sure organic foods were served in the residence, this is the first full-scale planting on the lawn in more than 60 years — since Eleanor Roosevelt had a victory garden during World War II.
“I’m just so gratified that this idea that seemed as right as rain from the beginning” has finally taken hold, said Waters, owner of the renowned Chez Panisse.
“Food is precious. It comes from the land,” she added. “And we have to take care of the land in order to nourish ourselves. It’s very hard to talk about food without talking about the garden.”
From a chilly corner of Maine, Doiron’s small plot of land yielded $2,100 worth of produce from 35 different crops last year. The message, he said, is that even in these difficult economic times, when families are struggling financially and psychologically, there are creative ways to put healthful food on the table.
“Even if families can start with something small this season, they’re going to come away feeling empowered,” Doiron said. “There are things that we can do, even though we feel like we are up against incredible odds.”
Waters said she was especially pleased that at the White House garden’s groundbreaking, Michelle Obama would be surrounded by children — an aspect near and dear to her heart.
As a founder of the Edible Schoolyard, a program in Berkeley and New Orleans to integrate organic gardens into schools, Waters wants all children to learn that vegetables and fruit come from the ground, not a store.
“If we make a beautiful place that children can walk through on tours of the White House, we can broadcast that message around the world,” Waters said. “It’s such a beautiful picture. It’s confirming and affirming their interest in the garden.”
via South Willard
Textfield · 03/20/09










