Tagbanger· 01/04/12

Tagbanger· 10/19/11

This is a short clip from the film “Early Warnings” that details the sit-in that happened on Wall Street on the 50th Anniversary of the 1929 Stock Market Crash. The protestors were demanding an end to financial support for the nuclear industry and the action was part of the larger occupations at the Seabrook Nuclear Power Plant. The costumed figures on stilts are from the Bread and Puppet Theatre. The film is from Green Mountain Post Films.

Tagbanger· 10/16/11

Tagbanger· 10/13/11

Tagbanger· 10/07/11

Occupy Wall Street — were you arrested on Brooklyn Bridge?

Tagbanger· 10/02/11


About this project

Social awareness is alive in the streets of downtown Los Angeles…as a parade! On Sunday, October 2, 2011, at 11 am the streets of downtown Los Angeles will erupt in a parade of local artists and residents, complete with music, dancing and performance. The parade celebrates the culmination of Trespass, a collaborative project between Arto Lindsay, Rirkrit Tiravanija, and West of Rome Public Art. Help us make the revitalized historic Broadway come alive for this celebration of art, music, dance and community activism.

Trespass has commissioned over 60 Los Angeles-based artists to produce a statement—their call to action, pleasure and reciprocity. The statements printed on T-shirts in English and in Spanish will be worn as part of the parade. With the t-shirts serving as our unofficial uniforms, free speech will resound in the voices of the most influential contemporary artists, the youth of our time, and the diverse L.A. public.

Amazing performance artists, philosophers, musician, sound wizards and dancers, will make this an unforgettable moment for the cultural life in the streets of downtown L.A.

Trespass invites us all to gather in this time of world turmoil and change to rise up and speak out in spectacle.

Keep public art alive and keep us marching on! Donate Now so we reach our goal of 2,600 ft! Just $5 moves the float 1 whole foot! Trespass!

This project has been created to coincide with the opening of Pacific Standard Time, a collaboration of more than 60 cultural institutions across Southern California, who are coming together this fall for the first time to celebrate the birth of the L.A. art scene.

http://trespassparade.org/

Participating artists include Eleanor Antin, Edgar Arceneaux, Lisa Anne Auerbach, John Baldessari, Walead Beshty, Andrea Bowers, Nancy Buchanan, Chris Burden, Vaginal Davis, Sam Durant, Charles Gaines, Cheri Gaulke, Amy Gerstler, Piero Golia ,Alexandra Grant, Matt Greene, Julian Hoeber, Alex Israel, Glenn Kaino, Dawn Kasper, Mike Kelley, Chris Kraus, Barbara Kruger, Joel Kyack, Suzanne Lacy, Liz Larner, William Leavitt, Sharon Lockhart, Ann Magnuson, Daniel Joseph Martinez, Dave Muller, T. Kelly Mason, My Barbarian, Yoshua Okón, Jorge Pardo, Stephen Prina, Steve Roden, Nancy Rubins, Sterling Ruby, Aaron Sandnes, Jim Shaw, Susan Silton, Stephanie Taylor, Diana Thater, Kaari Upson, Jeffrey Vallance, Marnie Weber, Pae White, Terry Wolverton…

Kathryn· 09/22/11

Tagbanger· 08/16/11

In conjunction with our residency at the Serpentine Gallery’s Centre for Possible Studies, the Bidoun Library is presenting a program of two films drawn from our collaboration with the online archive UbuWeb this Wednesday, June 8.

The program will be introduced by Masoud Golsorkhi, editor of Tank magazine.

Wednesday June 8, 2011
7-9pm
Free!

Centre for Possible Studies
64 Seymour Street
London W1H 5BW

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Bahman Maghsoudlou
Ardeshir Mohasses & His Caricatures
1972
20 min

A short documentary about Ardeshir Mohasses (1938-2008) featuring rare footage of the Iranian artist in his studio in Iran before his self-imposed exile to New York, which was to last over thirty years. Mohasses’ anti-Shah and anti-Islamic Republic cartoons used settings and costumes of the Qajar dynasty (1794 to 1925) — a misdirection that fooled no one. The film features commentary from Iranian intellectuals of the time, including Houshang Taheri, Javad Mojabi, and Fereidoun Gilani. Mohasses, a man of few words, is noticeably mute throughout.

Kamran Shirdel
The Night It Rained
1967
35min

In northern Iran, a schoolboy from a village near Gorgan is said to have discovered that the railway had been washed away by a flood. When he saw the approaching train — so the story goes — he set fire to his jacket, ran toward the train, and averted a serious and fatal accident. Kamran Shirdel’s film The Night it Rained does not concentrate on the heroic deed promulgated in the newspapers, but on a caricature of social and subtle political behavior — the way in which witnesses and officials manage to insert themselves into the events. Shirdel uses newspaper articles and interviews with railway employees, the governor, the chief of police, the village teacher and pupils — each of whom tell a different version of the event. In the end, they all contradict one another, while the group of possible or self-appointed heroes constantly grows. With his cinematic sleights of hand, Shirdel paints a bittersweet picture of an Iranian society in which truth, rumor, and lie can no longer be distinguished.

Tiffany· 06/07/11

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June 24 - July 2, 2011

QUEERING SEX is a performance and video exhibition that features the work of artists who are dealing with gender and sexuality. This cross-generational, trans-historical video program explores sex and sexuality via ideas and actions related to performance, and thereby highlighting a relationship between performativity and identity. The exhibition includes the participation of over 40 artists from Los Angeles, New York, and abroad.

QUEERING SEX needs your support please visit the kickstarter page to help bring this project to Los Angeles!!

Kathryn· 06/06/11

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Kathryn· 05/20/11

Roseanne Barr

Roseanne Barr was a sitcom star, a creator and a product, the agitator and the abused, a domestic goddess and a feminist pioneer. That was twenty years ago. But as far as she’s concerned, not much has changed.

Tagbanger· 05/16/11

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Jump to the video. Part of a new collaboration between Luke Gilford and Natalie Rodgers.

Kathryn· 04/16/11

A 1995 video demonstrating Joe Connolly’s methods of graffiti abatement in Los Angeles. He has some interesting, but questionable, theories.

Joe Connolly did the (many) buffs/tags on Washington Blvd. rooftops in the 1990s:
“GRAFFITI NO LONGER ACCEPTED HERE. PLEASE FIND A DAY JOB. THANK YOU.”

Tagbanger· 03/11/11

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A small and personal archive of the Provotarian movement in
Amsterdam (1965-1967), as installed by Experimental Jetset

W139
Warmoesstraat 139
1012 JB Amsterdam
The Netherlands

February 17 - March 14, 2011

More information

Mark· 01/14/11

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Now up on bdydbl

Thanks Michael Bilsborough for the Palin link

Kathryn· 01/13/11

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Working on a project last week in Las Vegas I had the opportunity to meet Dr. Peter V. Calabria, PhD. His website is amazing!

Michael· 12/14/10

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CONTRA MUNDUM I-VII BOOK RELEASE

Sunday, Dec. 5, 7pm
Mandrake

Featuring music by Dallas Acid
and films by Matt Anderson.

Oslo Editions

Mark· 11/28/10

Tagbanger· 11/28/10

Chris Burden, TV Hijack
Chris Burden, still from TV Hijack, 1972.

by Nick Stillman

It’s generally known that Chris Burden made a few commercials for television in the 1970s. But any pursuit of why, expanding meaningfully beyond the descriptive synopses Burden himself provides for most of his individual works, has been curiously rare. Burden—then living in Venice Beach—was concurrently making live performance work that deployed television monitors as critical signifiers of voyeurism. This link between his use of the television set as an object or prop in performances like Do You Believe in Television or Velvet Water and his works that actually took place on television is crucial to parsing why arguably the foremost performance artist of his generation began to resituate a live performance practice to a medium that seems antithetical to live art. Television as both communicative and manipulative vessel is a major focus in Burden’s work from 1971 to 1977. Burden usually downplays the political connotations or intentions of his art, but this body of television work seems like an examination of militaristic training, specifically, how authority results in belief.

continue reading

thanks Kathy

Jonathan· 11/25/10

Amazing footage of The Red Krayola with Art & Language from 1976. More info about the events depicted here.

Adam· 11/21/10

Tagbanger· 10/23/10

FDR, Second Bill of Rights

Jonathan· 10/02/10

The Farm Book

The Farm Book by Steven Gasking — also see Spiritual Midwifery by Ina May Gaskin and The Farm.

via Reference Library.

Jonathan· 09/19/10

Tagbanger· 09/04/10




Jonathan· 08/13/10

Tagbanger· 08/13/10
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