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Pencil Talk: exploring the art and science of pencils since 2005.
Check out the Colleen Woods series blog post.
Sun· 07/07/11
From wikipedia: Speedcore is a form of hardcore techno that is characterized by a high rate of beats per minute and aggressive themes. The name originates from the high BPM rate, which rarely drops below 300 BPM. Earlier Speedcore tracks averaged at about 250 BPM, whereas more recent tracks sometimes exceed 1000 BPM. Some people classify higher BPM tracks (around 600-800 BPM), as splittercore, and upon reaching 1000 BPM and beyond, the music becomes known as extratone.
Sun· 03/07/11MOCA The Artist’s Museum Video Series (Interviews):
Mark Bradford
Robbie Conal
Dave Muller
Catherine Opie
Amanda Ross-Ho
Alexis Smith
Diana Thater
Marnie Weber
Shouts to Felipe!
Sun· 11/11/10J. BIEBZ - U SMILE 800% SLOWER by Shamantis
Courtesy musician Nick Pittsinger, who used the free program Paulstretch, this is “U Smile” made slower. Like, a lot slower—eight times slower, to be exact. Thanks Fernando, via Gawker.
Sun· 08/17/10
“My name is Richard, my stage name is Nozinja, from Nozinja Music Productions. I’m from Giyani in Limpopo. I’m an engineer, I’m a producer, I’m a composer. It’s my record label. I’m the marketing manager. I transport them — I’ve got a micro-bus. I do everything on my own. I’ve got manufacturing. I buy CDs, I will silk-screen myself. I sing, too. I’m a scout for talent. When you look at the person, you must see the artist. He or she must be able to dance. If you can dance, you can sell. Shangaan dancers, they dance, they can go on for almost an hour with that speed, without getting tired. When you see them dance you feel like they have got no bones. It’s similar to the Zulus, but faster and we put a lot of style inside. There’s disco in there, we use Pantsula moves.
We don’t use the sounds of the hip-hop guys, or the afro-pop, or whatever, we’re using Shangaan sounds. The traditional Shangaan music is fast. You play it slow, they won’t dance.”
– Shangaan Electro “New Wave Dance Music From South Africa” available from Honest Jons Records
Wow, this cd could have read (c) rephlex 1996.
Facebook Page for more videos.
NPR Article
Listen up. I know the shit you’ve been saying behind my back. You think I’m stupid. You think I’m immature. You think I’m a malformed, pathetic excuse for a font. Well think again, nerdhole, because I’m Comic Sans, and I’m the best thing to happen to typography since Johannes fucking Gutenberg.
You don’t like that your coworker used me on that note about stealing her yogurt from the break room fridge? You don’t like that I’m all over your sister-in-law’s blog? You don’t like that I’m on the sign for that new Thai place? You think I’m pedestrian and tacky? Guess the fuck what, Picasso. We don’t all have seventy-three weights of stick-up-my-ass Helvetica sitting on our seventeen-inch MacBook Pros. Sorry the entire world can’t all be done in stark Eurotrash Swiss type. Sorry some people like to have fun. Sorry I’m standing in the way of your minimalist Bauhaus-esque fascist snoozefest. Maybe sometime you should take off your black turtleneck, stop compulsively adjusting your Tumblr theme, and lighten the fuck up for once.
People love me. Why? Because I’m fun. I’m the life of the party. I bring levity to any situation. Need to soften the blow of a harsh message about restroom etiquette? SLAM. There I am. Need to spice up the directions to your graduation party? WHAM. There again. Need to convey your fun-loving, approachable nature on your business’ website? SMACK. Like daffodils in motherfucking spring.
When people need to kick back, have fun, and party, I will be there, unlike your pathetic fonts. While Gotham is at the science fair, I’m banging the prom queen behind the woodshop. While Avenir is practicing the clarinet, I’m shredding “Reign In Blood” on my double-necked Stratocaster. While Univers is refilling his allergy prescriptions, I’m racing my tricked-out, nitrous-laden Honda Civic against Tokyo gangsters who’ll kill me if I don’t cross the finish line first. I am a sans serif Superman and my only kryptonite is pretentious buzzkills like you.
It doesn’t even matter what you think. You know why, jagoff? Cause I’m famous. I am on every major operating system since Microsoft fucking Bob. I’m in your signs. I’m in your browsers. I’m in your instant messengers. I’m not just a font. I am a force of motherfucking nature and I will not rest until every uptight armchair typographer cock-hat like you is surrounded by my lovable, comic-book inspired, sans-serif badassery.
Enough of this bullshit. I’m gonna go get hammered with Papyrus.
Photographers have been enticed by the subject of food since the earliest years of the medium. Drawn exclusively from the Museum’s collection, this selection of more than 20 works highlights important technological and aesthetic developments, including bountiful still life compositions, innovative close-ups and photograms, and documentary studies. Among the photographers featured are Roger Fenton, Adolphe Braun, Edward Weston, Bill Owens, Martin Parr, and Taryn Simon.
Event information + LA Times article
The Getty Center
1200 Getty Center Drive
Los Angeles, CA 90049
Apr 6, 2010 (Tuesday) to Aug 22, 2010 (Sunday)
Video interview of Rupert Parkes, Photek in his home studio in 1996. Related videos in the series have footage of Source Direct while they were 20 years old in parents basement studio and squarepusher.
Sun· 06/07/10
The Street Names of Los Angeles A History is a series of videos presented by the Natural History Museum of Los Angeles County, featuring historic photographs and documents from the Seaver Center for Western History Research.
I grew up in Los Angeles… I should know this stuff!
Sun· 03/24/10Long Duration Exposure Facility (LDEF): Its purpose was to study the effects of space on a multitude of materials.
Every inch of its outside surface was covered with Science. 57 separate experiments, mounted in 86 trays, involving the participation of “more than 200 principal investigators from 33 private companies, 21 universities, seven NASA centers, nine Department of Defense laboratories and eight foreign countries.
Sun· 02/13/101940s Studio Organization, 20th Century Fox.
The following diagrams outline the structure of the 20th Century Fox film studio in the 1940s. The charts detail everything from the highest to the most menial of positions at the studio, from the catering through the legal department. They appear in approximately the same order as they appeared in the book they were scanned from.
Sun· 12/31/09
“This montage of AT&T ads came from a 1993 Newsweek CD-ROM, when Newsweek thought that one day, magazines would be sent to you in CD-ROM form, sponsored with ads. It’s an interesting view of the future.”
I am sending over a fax… from tokyo.
Sun· 09/27/09








